You know that we know and we know that you know that we stand before you because of questions and not answers. We believe you come to the theatre for the same reasons we do: here, we do not have to pretend to know the answers; only questions matter here. You know that we know and we know that you know that the meaning of these questions is only in their being asked again and again and in the way in which they are asked.
You probably come to watch us break beneath these questions and fail at the answers again and again. You probably want to know how far are we ready to go with these questions and what are our reasons for entering this game and how are we about to play it. There are two ways: to submerge you in darkness and fascinate you with skill and imagery (to seduce you into the illusion of answers); or to play the game with the real.
The game is neither new nor original. It’s a game in which it is important for you to know what we know and for us to know what you know. It is a game full of tricks and deceptions. The first rule of the game is: never forget we’re playing: you play the viewer and we play the actors. If there’s no game, there’s nothing real, and if there’s nothing real – nothing is. This is a game in which we mustn’t allow the question to trick us with its answer – because you know that we know and we know that you know there is no answer.