Performers use the entrance
fee money as material for performance
The performance stops the usual circulation of money to help performers create a personal relation to money instead of a trading one. Katarina Stegnar (performance fragment): “Let’s take a look at the present situation: you know exactly, what you want for your money. You know exactly that your’re not letting yourself be fooled. That you’re not buying any kind of bullshit. You know exactly why you are here. You want: something beautiful, something artistic, something new, something different, something shocking, something sexual, a new interpretation, a new fascination, a new vision… You want an artistic experience. That’s why you are here. And I’m here, so it’s worth while.”
”An absolute manner for how to be on display. This performance, with its investigations, tests the limits, and not just the theatrical ones.” (GAZZETTA DI PARMA, October 2005)
“Uncompromising attitude, which with its clear concept and lucid (self) reflection always guarantees an inspiring evening.” (SODOBNOST LJUBLJANA, 2005)