Prijava na novice

E-novice pošiljamo vsak mesec. Če želiš prejemati obvestila o tem, kje in kdaj nastopamo in kaj pripravljamo, nam pošlji svoj e-poštni naslov.

OD TUKAJ NEDAJ BOG KEJ SPREMINJAT 🙂

Kontakt

 

VIA NEGATIVA

Društvo za sodobne scenske umetnosti
info@vntheatre.com

umetniški vodja
Bojan Jablanovec
bojan@vntheatre.com
telefon: +386 41 389 284

producentka
Špela Trošt
spela@vntheatre.com
telefon: +386 51 360 735

Naslov
Via Negativa
Na Peči 12
1000 Ljubljana
Slovenija


Matična številka: 1677314
Davčna številka: SI71858253
TRR: 05100-8010573865
Banka: Abanka d.d., Ljubljana

 

VIA NEW
TERRITORIES

info

kritika

Devet performansov v treh poglavjih, ki tematizirajo tri temeljna ustvarjalna področja Vie Negative: mišljenje, prisotnost in razmerje. 

Na škotskem live art festivalu New Territories Glasgow smo predstavili 9-urni program devetih performansov Via Nova, v katerih obravnavamo tri temeljna področja ustvarjalnega dela: mišljenje, prezenca in odnos.

Poglavje 1: VIA NOVA SYMPOSIUM

Cikel treh performansov, v katerih teorija in praksa vstopata v neposredno razmerje – toda ne z namenom, da bi iskali skupen jezik, temveč da bi z vztrajanjem na lastnem diskurzu dosegli višji nivo komunikacije. Performansi:

Kaj mi je povedal Joseph Beuys, ko sem mrtev ležal v njegovem naročju
Tega nihče ne bi smel videti
Pogovor z umetnikom

Poglavje 2: GOLA PRISOTNOST

Čeprav je golota v Goli prisotnosti dominantna, v performansih ne gre za goloto kot estetski prikaz telesa, temveč goloto kot masko prezence, ki jo je najtežje razgaliti. Performansi:

Viva Mandić
Invalid
Čisti performas

Poglavje 3: DENAR, KRI & LJUBEZEN

Tri bazična vprašanja: Koliko ste pripravljeni plačati? Kako daleč si upamo iti? Kako globoka je ljubezen med gledalcem in izvajalcem. In trije performansi:

Kupec z žilico
Igra z zobotrebci
Tonight I Celebrate

USTVARJALCI

Koncept predstavitve: Bojan Jablanovec
Ustvarjalci in izvajalci: Katarina Stegnar, Boris Kadin, Kristian Al Droubi, Marko Mandić, Primož Bezjak, Jaka Lah, Uroš Kaurin, Bojana Kunst. Pogovor s Kristianom Al Droubijem: Laura Gonzalez.
Producentka: Špela Trošt
Tehnično vodstvo: Igor Remeta

Produkcija: Performanse iz serije Via Nova producira Via Negativa s podporo ministrstva za kulturo RS in mesta Ljubljana.
Prizorišče in datum: CCA, Centre for Contemporary Arts Glasgow, 15. marec 2011, kot del programa “This is Performance art – Europe”, na festivalu New Territories Glasgow
Trajanje: 9 ur

Mary Brennan: Via Negativa*****
The Herald, 17 Mar 2011 Glasgow

Nine hours and nine separate performances, under the banner of This is Performance Art (Europe), and by all accounts, this foray into the creative realms of Via Negativa scarcely scratches the repertoire surface of this performing arts project based in Ljubljana.

It did, however, reveal the serious philosphical and aesthetic questions that are chewed over and (sometimes literally) spat out by the performers – often with a whimsical playfulness, but always with an underlying seriousness that finds them putting their own bodies, stamina, and egos on the line.

The work was divided into three chapters: thinking, presence and relation. The first, in the form of a symposium, ran a brilliantly clever and entertaining gauntlet between the academic dissection of “performance” and robust “live action” where lightness of touch, debunking humour and a relaxed attitude to nudity brought vivid artistic relevance to issues such as audience expectations, the role of art in a consumer society, the place of shame in the modern world and its stages.

These themes carried over into the subsequent works, mirroring core provocations from different angles. Invalid, a blisteringly powerful performance by Primoz Bezja, informed by his own medical history, saw him striving to dance despite limbs artificially truncated by bandages –a cogent image of individuals shackled by systemic restrictions.

Chapter Three, Money Blood and Love, included a recreation of Marina Abramovic’s Knife Game, played out by a Serb and a Croat, so that the spectre of an audience wanting blood twists in different ways depending on the political/geographical context. Pungent with confrontational insights and touched with humour, poetry and naked integrity, we need to see more of Via Negativa.