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# Via Negativa

Platforma za raziskavo, izobraževanje in produkcijo sodobnih izvedbenih umetnosti.

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- [Contact](https://vntheatre.com/kontakt/) - Contact VIA NEGATIVAPlatform for research, education and production of contemporary performance artinfo@vntheatre.com Artistic directorBojan Jablanovecbojan@vntheatre.com+386 41 389 284 ProducerŠpela Troštspelca200@gmail.com+386 51 360 735 Postal addressVia NegativaNa Peči 121000 LjubljanaSlovenija Reg. number 1677314Tax number SI71858253
- [Kontakt](https://vntheatre.com/kontakt/) - Kontakt VIA NEGATIVAPlatforma za raziskavo, izobraževanje in produkcijo sodobne izvedbene umetnostiinfo@vntheatre.com Umetniški vodjaBojan Jablanovecbojan@vntheatre.com+386 41 389 284 ProducentkaŠpela Troštspelca200@gmail.com+386 51 360 735 Poštni naslovVia NegativaNa Peči 121000 LjubljanaSlovenija Davčna številka: SI71858253Matična številka: 1677314

## Projekti

- [VN Lab](https://vntheatre.com/projekti/vn-lab/) - Via Negativa Laboratory for Contemporary Performance Art Workshops for performance development The VN Lab takes the form of six weekend workshops that are connected in a continuous creative process. It is aimed at anyone who wants to develop their creative potential and test their performance ideas. The ultimate goal of the VN Lab is to
- [VN Lab](https://vntheatre.com/projekti/vn-lab/) - Laboratorij Via Negative za sodobne izvedbene umetnosti Delavnice za razvoj avtorskih zamisli VN Lab poteka v obliki šestih vikend delavnic, ki so povezane v kontinuiran kreativni proces. Namenjem je vsem, ki želite razvijati svoj avtorski potencial in preizkušati svoje izvedbene zamisli. Končni cilj VN Laba je, da udeleženko_ca pripelje do avtorske zamisli, ki ima dovolj
- [Nam v slast](https://vntheatre.com/projekti/nam-v-slast/) - Olja Grubić Recept za novi svet V tem trenutku se zdi, kot da se svet ruši pod nami. Red, kot ga poznamo, razpada. Pred nami se odpira obdobje negotovosti – sprememb, katerih izid si težko predstavljamo kot srečen konec. Naša sedanjost ni “zlata doba”. Prejšnji časi – ne tako oddaljeni – se zdijo bolj stabilni,
- [To Our Delight](https://vntheatre.com/projekti/nam-v-slast/) - Olja Grubić Recipe for a new world At this moment, it feels as though the world is collapsing beneath us. The order as we know it is falling apart. We are entering a time of uncertainty – of change whose outcome is difficult to imagine as a happy ending. Our present is not a “golden
- [Fugue for the Nation](https://vntheatre.com/projekti/fuga-za-narod/) - Svojat • Via Negativa The Nation - Opium for the People (Bojan Jablanovec) Fugue for the Nation marks the 150th anniversary of the birth of Ivan Cankar and the 35th anniversary of Slovenian statehood. The project takes as its starting point the figure of Cankar's folk musician Kurent, who, with his vision of "happy people
- [Fuga za narod](https://vntheatre.com/projekti/fuga-za-narod/) - Svojat • Via Negativa Narod - opij za ljudstvo (Bojan Jablanovec) Letos obeležujemo rojstvo države, s katero si narod že 35 let piše sodbo, in 150-letico rojstvo človeka, ki je vedel, da ljudstvo in narod nikoli ne sedita za isto mizo. Medtem, ko črno oblečeni narod sedi za pogrnjenimi mizami v salonu in potrkava s
- [Metastasis of Freedom](https://vntheatre.com/projekti/extima/metastaze-svobode/) - Olja Grubić The slavery of difference “We spend our life, it's ours, trying to bring together in the same instant a ray of sunshine and a free bench, in some oasis of public verdure, we've been seized by a love of nature, in our sere and yellow, it belongs to one and all.” Samuel Beckett,
- [Metastaze svobode](https://vntheatre.com/projekti/extima/metastaze-svobode/) - Olja Grubić Suženjstvo razlike “Življenje, ki ga preživimo, je naše, poskušamo v istem trenutku združiti sončni žarek in prosto klop, v kakšni oazi javne zelenice, prevzela nas je ljubezen do narave, v naši sivi in rumeni barvi, pripada vsem in vsakomur.” Samuel Beckett, Besedila za nič 3 Resnični problem človeštva je človek. Lastno identiteto vzpostavlja
- [Under Control](https://vntheatre.com/projekti/pod-kontrolo/) - Luka Piletič The clown who forgot to be funny Luka works out every day, answers emails on time, showers every day with cold water, eats healthy, separates waste, cleans, cooks, in short, does everything he can to keep things from getting out of control. It all makes him sick, but some things just have to
- [Pod kontrolo](https://vntheatre.com/projekti/pod-kontrolo/) - Luka Piletič Klovn, ki je pozabil biti smešen Luka vsak dan telovadi, sproti odgovarja na mejle, vsak dan se tušira z mrzlo vodo, zdravo je, ločuje odpadke, pospravlja, kuha, skratka počne vse, kar lahko, da mu stvari ne bi ušle izpod nadzora. Od vsega mu gre na bruhanje, a nekatere stvari je pač treba požreti.
- [MandićCircus](https://vntheatre.com/projekti/mandiccircus/) - Marko Mandić • Bojan Jablanovec “No, it is not the world that is bad, it is the fiction in which we enclose it that makes it repulsive.” (MandićCirkus, role no. 64) MandićCircus was created ten years after the premiere of the performance MandićMachine (25. 06. 2011), which was conceived as a parade of Mandić's very
- [MandićCirkus](https://vntheatre.com/projekti/mandiccircus/) - Marko Mandić • Bojan Jablanovec “Ne, svet ni slab. Prav fikcija, v katero ga zapiramo, ga dela odvratnega.” (MandićCirkus, vloga št. 64) MandićCirkus nastaja deset let po premieri performansa MandićStroj (25-06-2011), ki je bil zasnovan kot parada Mandićevih žanrsko ekstremno različnih igralskih kreacij (37 vlog iz obdobja 1996 - 2010), kot živi muzej gledališča in
- [Don't Fck Me](https://vntheatre.com/projekti/ne-me-jbt/) - Anita Wach • Bojan Jablanovec PR spin Don't Fck Me is the PR spin of the performance Don't Force Me to Say What I Think, which places two new performers - the event's moderators - in its choreographic matrix, entering the performance with the promise that, unlike the previous performance, this time they will say
- [Ne me jbt](https://vntheatre.com/projekti/ne-me-jbt/) - Anita Wach • Bojan Jablanovec Piarovski spin Ne me jbt je piarovski spin spektakla Ne me silit, da povem, kaj mislim, ki v njegovo koreografsko matrico postavi dva nova performerja - moderatorja dogodka, ki v performans vstopata z obljubo, da bosta, za razliko od prejšnje izvedbe, tokrat povedala vse, kar mislita. Projekt preigrava strategijo piarovskih
- [Living Space](https://vntheatre.com/projekti/extima/zivljenjski-prostor/) - Olja Grubić “I am life that wants to live, in the midst of life that wants to live.” (Schweitzer 1991, 1203) Living space is a fundamental physical condition for life, which we are increasingly destroying through pollution, extensive mining, urbanization of agricultural land, deforestation, the industrialization of agriculture with monocultures, and so on. On the
- [Življenjski prostor](https://vntheatre.com/projekti/extima/zivljenjski-prostor/) - Olja Grubić “Sem življenje, ki hoče živeti, sredi življenja, ki hoče živeti.” (Schweitzer 1991, 1203) Življenjski prostor je osnovni fizični pogoj za življenje, ki ga z onesnaževanjem, ekstenzivnim rudarjenjem, urbanizacijo kmetijske zemlje, deforestacijo, kmetijsko industrijo monokultur itd. vse bolj uničujemo. Po drugi strani nam življenjski prostor vse bolj krčijo tudi podnebne spremembe, na planetu je
- [MAGA](https://vntheatre.com/projekti/vn-lab/maga/) - 2025 • VN Lab Make Art Great Again “In recent years, our Art has suffered greatly. But we are going to bring it back and make it great again, greater than ever before. We will be an Artists like no other, full of compassion, courage, and exceptionalism. Our Art will stop all wars and bring a
- [MAGA](https://vntheatre.com/projekti/vn-lab/maga/) - 2025 • VN Lab Make Art Great Again “V zadnjih letih naša Umetnost zelo trpi. Toda mi jo bomo obudili in ji povrnili veličino, večjo kot kdajkoli prej. Postali bomo Umetniki kot jih še ni bilo, polni sočutja, poguma in izjemnosti. Naša Umetnost bo ustavila vse vojne in prinesla nov duh enotnosti v svet, ki
- [68 Toasts to a Flawed Heart](https://vntheatre.com/projekti/68-zdravic-za-srce-z-napako/) - Anita Wach Reason and the flawed heart 68 Toasts to a Flawed Heart is dedicated to Barbara Kozłowska. The performance refers to her as an artist, poet and artistic subject - a personality set in a political and historical context and a person who lived 68 years, 272 seasons and approximately 816 months. Influenced by
- [68 zdravic za srce z napako](https://vntheatre.com/projekti/68-zdravic-za-srce-z-napako/) - Anita Wach Razum in srce z napako Performans 68 zdravic za srce z napako je posvečen Barbari Kozłowski. Nanjo se nanaša kot na umetnico, pesnico in umetniški subjekt – kot na osebnost, umeščeno v politični in zgodovinski kontekst, in osebo, ki je živela 68 let, 272 letnih časov in približno 816 mesecev. Pod vplivom poetičnosti
- [Hundred Toasts](https://vntheatre.com/projekti/nerazresljivo/sto-zdravic/) - Anita Wach • Bojan Jablanovec Cheers to those on the left, those on the right and those stuck in the middle. Hundred Toasts is a celebration. We toast the remarkable people, events or natural phenomena that have shaped our past and our present. Some we toast with 'thank you', others with 'fuck off', but either
- [Sto zdravic](https://vntheatre.com/projekti/nerazresljivo/sto-zdravic/) - Anita Wach • Bojan Jablanovec Na zdravje vsem na levi in desni ter vsem, ki so obtičali na sredini Sto zdravic je praznovanje. Nazdravljamo izjemnim ljudem, dogodkom ali naravnim pojavom, ki so odločilno vplivali na našo preteklost in našo sedanjost. Nekaterim nazdravljamo s "hvala", drugim s "fuck off", v vsakem primeru nam je to v
- [Autant pour moi! My mistake! Moja napaka!](https://vntheatre.com/projekti/autant-pour-moi-my-mistake-moja-napaka/) - Loup Abramovici The personnal myth Autant pour moi! is an attempt to fill the gap, the distance, between the personnal history, the personnal myth that the author/performer tells about himself, and an »objective« concrete past; by digging into the memories left from a long passed childhood, Loup tries to revisit the failures, deceptions, achievements, ambitions
- [Autant pour moi! My mistake! Moja napaka!](https://vntheatre.com/projekti/autant-pour-moi-my-mistake-moja-napaka/) - Loup Abramovici Osebni mit Autant pour moi! je poskus zapolnitve vrzeli, razdalje med osebno zgodovino, osebnim mitom, ki ga avtor/izvajalec pripoveduje o sebi, in »objektivno« konkretno preteklostjo. Z brskanjem po spominih iz davno minulega otroštva se Loup poskuša ponovno soočiti z neuspehi, razočaranji, dosežki, ambicijami in drugimi spominskimi nanosi ter iz njih ustvariti fizični material
- [No Exit](https://vntheatre.com/projekti/ni-izhoda/) - Temporary working group Extrements Prophecy First Witch: When shall we three meet again?In thunder, lightning, or in rain?Second Witch: When the hurly-burly's done,When the battle's lost and won.Third Witch: That will be ere the set of sun.First Witch: Where the place?Second Witch: Upon the heath.Third Witch: There to meet with Macbeth. W. Shakespeare, Macbeth (Act
- [Ni izhoda](https://vntheatre.com/projekti/ni-izhoda/) - Začasna delovna skupina Extrementi Prerokba Prva vešča: Kdaj spet se snidemo kot tu,v gromu, blisku ali v dežju?Druga vešča: Ko bo hrušč in trušč končan,Ko bo boj izbojevan.Tretja vešča: To bo, preden se nagne dan.Prva vešča: In kje je kraj?Druga vešča: Na pusti tam.Tretja vešča: Tam se Macbeth približa nam. W. Shakespeare, Macbeth (Prvo dejanje,
- [A Moment When Everything Stops](https://vntheatre.com/projekti/trenutek-ko-vse-obstane/) - Anita Wach • Kristina Aleksova Meta Physics (Anita Wach) Physics. The Earth rotates on its axis at 1600 km/h. The speed at which the Sun moves around the Galaxy is about 792,000 km/h. The Milky Way spins at 270 km/s, and it takes about 200 million years to complete one revolution. That’s how fast we’ll
- [Trenutek, ko vse obstane](https://vntheatre.com/projekti/trenutek-ko-vse-obstane/) - Anita Wach • Kristina Aleksova Meta Fizika (Anita Wach) Fizika. Zemlja se vrti okoli svoje osi s hitrostjo 1600 km na uro. Hitrost gibanja Sonca okoli središča Galaksije je 792.000 km na uro. Rimska cesta se vrti s hitrostjo 270 kilometrov na sekundo, za en obrat pa potrebuje približno 200 milijonov let. Tako hitro bomo
- [No One Should Have Seen This](https://vntheatre.com/projekti/via-nova/tega-nihce-ne-bi-smel-videti/) - Bojana Kunst • Katarina Stegnar “I knew from the beginning that this was just bullshit.” (Katarina Stegnar) Bojana Kunst, as a theorist of contemporary performance art, and Katarina Stegnar, as a performer, do not enter into a relationship to find a common language, but to amplify the difference that exists between them. Bojana: "Being a
- [Tega nihče ne bi smel videti](https://vntheatre.com/projekti/via-nova/tega-nihce-ne-bi-smel-videti/) - Bojana Kunst • Katarina Stegnar “Jaz že od začetka vem, da je to čisto navadno sranje” (Katarina Stegnar) Bojana Kunst, kot teoretičarka sodobne izvedbene umetnosti, in Katarina Stegnar, kot performerka, ne vstopata v razmerje zato, da bi iskali skupen jezik, temveč zato, da potencirata razliko, ki zeva med njima. Bojana: “Biti gledalka tvojih performansov, ki
- [All That You Came For](https://vntheatre.com/projekti/via-nova/vse-zaradi-cesar-ste-prisli/) - Gregor Zorc Trumpet, glasses, vase. The Zorc story. In 2002, Gregor performs for the first time at the Museum of Modern Art Ljubljana the funeral of his parents, who died in a car accident when he was 12 years old (Starting Point Anger). In 2004, at the Glej Theatre, he performed how he collected the
- [Vse, zaradi česar ste prišli](https://vntheatre.com/projekti/via-nova/vse-zaradi-cesar-ste-prisli/) - Gregor Zorc Trobenta, očala, vaza. Zgodba Zorc. Leta 2002 Gregor v Moderni galeriji prvič uprizarja pogreb svojih staršev, ki sta umrla v avtomobilski nesreči, ko je bil star 12 let (Izhodiščna točka jeza). Leta 2004 si v gledališču Glej izplača pokojnino, ki mu pripada po smrti staršev (Incasso). Leta 2009 uprizarja svoje dileme glede tega,
- [No No No, No No No](https://vntheatre.com/projekti/30-stavkov/ne-ne-ne-ne-ne-ne/) - Anita Wach “No to the glamour and transcendency of the star image. No to the heroic. No to the anti-heroic.” Yvonne Rainer, No Manifesto30th sentence of the 30 Movements cycle No, no, no.I don't want to be a photo on a website.I don't want to be converted into a PDF document, I don't want to
- [Ne ne ne, ne ne ne](https://vntheatre.com/projekti/30-stavkov/ne-ne-ne-ne-ne-ne/) - Anita Wach “No to the glamour and transcendency of the star image. No to the heroic. No to the anti-heroic.” Yvonne Rainer, No Manifesto30. stavek cikla 30 stavkov Ne, ne, ne. Nočem biti fotografija na spletni strani.Nočem se pretvoriti v pdf dokument, nočem postati številka datoteke. Nočem biti link na planetarnem pokopališču povezav iskalnika Google.
- [MandićBaptism](https://vntheatre.com/projekti/vn20/mandickrst/) - Marko Mandić “The only moment when there is no acting is when I squirt. I can't act that.” (Marko Mandić) MandićBaptism or/as a laboratory for the production of potential content. I wank to an old text by an old/dead author while the Big Daddies screw up the world. The plural sounds good to me for
- [MandićKrst](https://vntheatre.com/projekti/vn20/mandickrst/) - Marko Mandić “Edini trenutek, ko ni glume, je, ko mi špricne. Tega ne morem odigrat.” (Marko Mandić) MandićKrst ali/kot laboratorij za proizvodnjo morebitnih vsebin. Drkam staro besedilo starega/mrtvega avtorja, medtem pa big daddyji razjebavajo/razfukavajo svet. Množina se mi za ta stavek dobro sliši, ampak je najbrž boljše, če je vse v ednini. Da bi bilo
- [For All Pigs in My Heart](https://vntheatre.com/projekti/vn20/za-vse-svinje-v-mojem-srcu/) - Kristina Aleksova “We are all pigs, all except Fičo – Fičo was a dog.” (Kristina Aleksova) We are all pigs, we all wallow in our own sinful pigsty, and we all find ourselves in our own irresolvable barn. Kristina Aleksova’s concert performance draws parallels between her love life and the life of Via Negativa. This
- [Za vse svinje v mojem srcu](https://vntheatre.com/projekti/vn20/za-vse-svinje-v-mojem-srcu/) - Kristina Aleksova “Vsi smo svinje, vsi razen Fiča – Fičo je bil pes” (Kristina Aleksova) Vsi smo svinje, vsi se valjamo v lastnih grešnih svinjarijah in vsi se znajdemo v svoji nerazrešljivi štali. Kristina Aleksova v koncertnem performansu vzpostavlja vzporednosti med zgodovino svojega romantičnega življenja in arhivom Via Negative. To je razpršena zgodba, vi pa lahko
- [Now](https://vntheatre.com/projekti/vn20/zdaj/) - Barbara Kukovec “Now there is only you and the memory of all that is no more” (Barbara Kukovec) When was the last time you really had fun?Really truly had fun?It’s always time to have fun!We can always have fun in the museum.The museum is fun.The museum is always fun.Now is fun. Now 2024 • VN20Solo
- [Zdaj](https://vntheatre.com/projekti/vn20/zdaj/) - Barbara Kukovec “Zdaj ste samo še vi in spomin na vse, česar več ni” (Barbara Kukovec) Kdaj ste se nazadnje mel zares fajn?Čisto zares fajn?Vedno si lahko zrihtamo, da nam je fajn.V muzeju se vedno lahko mamo fajn.Muzej je fajn. V muzeju je vedno fajn. Zdaj je fajn. Zdaj 2024 • VN20Solo performans • 25
- [The Article](https://vntheatre.com/projekti/vn20/artikel/) - Nataša Živković “This = nothingnothing = everythingboth = 00 = ∞” (Nataša Živković) I invent, I recycle, high is low and low is high. I produce affects, thoughts, emotions, associations, disgust, pleasure, sweat, urine. I rework articles to increase their value. Every day, every hour, I produce trash. Plastic, organic waste, paper. I burn electricity,
- [Artikel](https://vntheatre.com/projekti/vn20/artikel/) - Nataša Živković “To = za ničza nič = za vseoboje = 00 = ∞” (Nataša Živković) Izmišljujem si, recikliram, visoko je nizko in nizko visoko. Proizvajam afekte, misli, čustva, asociacije, gnus, užitek, znoj, urin. Predelujem artikle, da se jim poveča vrednost. Vsak dan, vsako uro proizvajam smeti. Plastiko, bio odpadke, papir. Porabljam elektriko, svojo energijo
- [The Second View](https://vntheatre.com/projekti/vn20/drugi-pogled/) - Špela Trošt “I am an active viewer, I create my own worlds and my own truths” (Špela Trošt) I am a producer. Today I celebrate!I remember. Lastnig impressions. Faint traces.I preserve. I erase. I restore. Forgetting.I upload. I remove. I repeat. I disappear. I am layering.I delete. I archive. I discard. I record.I empty. I
- [Drugi pogled](https://vntheatre.com/projekti/vn20/drugi-pogled/) - Špela Trošt “Sem aktivna gledalka, ustvarjam svoje svetove in svoje resnice” (Špela Trošt) Sem producentka. Danes praznujem!Spominjam se. Trajni vtisi. Šibke sledi. Ohranjam. Zabrisujem. Obnavljam. Pozabljam. Nalagam. Odmikam. Ponavljam. Izginjam. Plastim. Brišem. Arhiviram. Odmetavam. Beležim. Praznim. Skladiščim. Pucam. Utrjujem. Bledim. Reproduciram. Reprezentiram. Predstavljam. Kradem. Spomin. Izpisujem v telo, vpisujem iz telesa in pišem s telesom. Spomin. Kot osvoboditev ali
- [Everything We Dumped](https://vntheatre.com/projekti/vn20/vse-kar-smo-zavrgli/) - Loup Abramovici “This is just the beginning” (Loup Abramovici) When starting to work with Via Negativa, I found myself in the perfect place to try out all kinds of performance ideas. This paradise responded perfectly to the type of performer I define myself to be: an amateur, full of doubts and opinions. For VN20, I
- [Vse, kar smo zavrgli](https://vntheatre.com/projekti/vn20/vse-kar-smo-zavrgli/) - Loup Abramovici “To je šele začetek” (Loup Abramovici) Ko sem začel delati z Vio Negativo, sem se znašel na idealnem mestu za preizkušanje najrazličnejših izvedbenih idej. Ta raj se je odlično odzval na tip izvajalca, za katerega se opredeljujem: amater, poln dvomov in mnenj. Za VN20 sem se odločil ponovno pregledati materiale, ki so bili
- [Fearsome Ass](https://vntheatre.com/projekti/vn20/bojazljiva-rit/) - Tomaž Grom “ ” (Tomaž Grom) A new installation approach to the sound material recorded during the closure due to the pandemic Covid-19 for the project On This Merry Day of Culture (2020). This time in the context of other forms of closure: artistic self-sufficiency, ideological emptiness and the political impotence of the present. Grom
- [Bojazljiva rit](https://vntheatre.com/projekti/vn20/bojazljiva-rit/) - Tomaž Grom “ ” (Tomaž Grom) Nov instalacijski pristop k zvočnemu materialu, ki je bil posnet v času kovidnega zaprtja za pojekt Na ta veseli dan kulture (2020). Tokrat v kontekstu druge oblike zaprtosti – artistične samozadostnosti, idejne izpraznjenosti in politične impotence sedanjosti. V grobnico VN20 Grom vstopa z bogato zvočnostjo 111 teles, ki so
- [Hope](https://vntheatre.com/projekti/vn20/upam/) - Olja Grubić “I hope it will rise” (Olja Grubić) My grandmother's name was Nada. In Croatian it means hope. She taught me how to make bread. The Slovenian dictionary defines hope as "a state of mind in which one sees the possibility of getting out of a difficult situation". A mixture of wishful thinking, blind
- [Upam](https://vntheatre.com/projekti/vn20/upam/) - Olja Grubić “Upam, da vzide” (Olja Grubić) Moji babici je bilo ime Nada. Iz hrvaščine bi to lahko prevedli kot Upanje. Ona me je naučila zamesiti kruh. SSKJ upanje opredeli kot “duševno stanje, ko se vidi možnost za rešitev iz težkega položaja”. Mešanica pobožne želje, slepe vere, optimizma, volje. Mesim in upam, da zrase. Pripravljena
- [To the End (Dance Your Life)](https://vntheatre.com/projekti/do-konca-plesati-svoje-zivljenje/) - Loup Abramovici "I can't imagine anything else but to perform until the end, until my body can't keep up anymore." (Loup Abramovici) Does a dancer 45+ need to think about the end of his dance career? Retraining, retirement or any new path? Ageing and obsolescence at a time when the ideal of youth is a
- [Do konca (plesati svoje življenje)](https://vntheatre.com/projekti/do-konca-plesati-svoje-zivljenje/) - Loup Abramovici “Ne morem si predstavljati drugega, kot nastopati do konca, dokler telo ne bo moglo več slediti.” (Loup Abramovici) Ali plesalec 45+ mora razmišljati o koncu svoje plesne kariere? Prekvalifikacija, upokojitev ali kakršnakoli nova pot? Staranje in zastaranje v času, ko je ideal mladosti vseprisoten diktat. Umetniški trg, še posebej plesni, favorizira vse, kar
- [this is my truth, tell me yours](https://vntheatre.com/projekti/this-is-my-truth-tell-me-yours/) - Jasna Žmak Female orgasm, male masturbation, artistic responsibility and tinnitus Hi, I’m Jasna and I’d like to invite you to my play. It’s my first original play and I’m pretty excited about it. The title of the performance is this is my truth tell me yours, which is actually a quote of a quote, but
- [this is my truth, tell me yours](https://vntheatre.com/projekti/this-is-my-truth-tell-me-yours/) - Jasna Žmak Ženski orgazem, moško samozadovoljevanje, umetniška odgovornost in zvonjenje v ušesih Živijo, sem Jasna in vas vabim na svojo predstavo. To je moja prva avtorska predstava in nad njo sem kar navdušena. Naslov predstave je »this is my truth tell me yours«, kar je pravzaprav citat citata, toda predstava nima nobene zveze s tistimi
- [MandićCircus (raw)](https://vntheatre.com/projekti/mandiccirkus-surov/) - Marko Mandić • Samo Kutin • Bojan Jablanovec Hurdy-gurdy and a body that drills in concrete (Bojan Jablanovec) MandićCircus (raw) is the third derivative of the performance MandićCircus, which was first performed on the main stage of the Ljubljana Drama in 2022; shortly afterwards, a second derivative MandićCircus (dressed) was created for the stage of
- [MandićCirkus (surov)](https://vntheatre.com/projekti/mandiccirkus-surov/) - Marko Mandić • Samo Kutin • Bojan Jablanovec Hurdy-gurdy in telo, ki vrta v beton (Bojan Jablanovec) MandićCirkus (surov) je tretji derivat performansa MandićCirkus, ki smo ga prvič izvedli leta 2022 na velikem odru ljubljanske Drame; kmalu zatem pa je nastal tudi drugi derivat MandićCirkus (oblečen) v Mali drami SNG Ljubljana. Surov Cirkus svojo izvedbeno
- [Extima](https://vntheatre.com/projekti/extima/) - 2022 - 2025 • Olja Grubić Living being in a living world Extima is a performance cycle that has its conceptual beginnings in the performance Naked Life ( 2019) and continues with its projects to slide through the questioning of what it means to be a living being in a living world today. Answers to
- [Extima](https://vntheatre.com/projekti/extima/) - 2022 - 2025 • Olja Grubić Živo bitje v živem svetu Extima je cikel performansov, ki se v svojem konceptualnem zametku nakazuje že v performansu Golo življenje (2019) in s svojimi projekti nadaljuje z drsejem skozi preizpraševanje, kaj danes pomeni biti živo bitje v živem svetu. Odgovori na to vprašanje v sodobnem času neverjetno hitro
- [Ostanite mirni](https://vntheatre.com/projekti/30-stavkov/ostanite-mirni/) - Anita Wach • Kristina Aleksova "Kakšen bi bil ocean brez pošasti, ki se skriva v temi? Kakor spanec brez sanj." Werner Herzog28. stavek cikla 30 stavkov Božični večer 2023. Leto zamujenih priložnosti, srečnih razhodov in krvavih preobratov. Leto nemih krikov, zaprtih oči in padlih čeljusti. Vabljeni vsi, ki nimate kam. Vabljeni vsi, ki nočete nikamor.
- [Keep Calm](https://vntheatre.com/projekti/30-stavkov/ostanite-mirni/) - Anita Wach • Kristina Aleksova “What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.” Werner Herzog28th sentence of the 30 Movements cycle Christmas Eve 2023.A year of missed opportunities, happy breakups and bloody twists.A year of silent screams, closed eyes and dropped jaws.Welcome to all
- [Slovenian Mountain Trail](https://vntheatre.com/projekti/slovenska-transverzala/) - Rok Kravanja Dear Slovenia, I recently turned 40 and I never thanked you for being born on your soil. I never thanked you for the clean air I have breathed since the first day of my life. Thank you for the beautiful views I see when I walk on your land and for all the
- [Slovenska transverzala](https://vntheatre.com/projekti/slovenska-transverzala/) - Rok Kravanja Draga Slovenija, pred kratkim sem obrnil štiridesetko in do sedaj se ti nisem še nikoli zahvalil, da sem se rodil na tvojih tleh. Nisem ti še rekel hvala za čist zrak, ki ga diham od prvega dne. Hvala za čudovite razglede, ki jih uzrem, ko hodim po tvoji deželi in za vso to
- [On This Merry Day of Culture](https://vntheatre.com/projekti/sift/na-ta-veseli-dan-kulture/) - Tomaž Grom in collaboration with 111 artists “A happy fart never comes from a miserable ass.” (Lutheran wisdom) Tomaž Grom invited a number of artists working in the field of contemporary art to participate in this sound composition. His invitation refers to a very specific form of work - the recording of one's own fart,
- [Na ta veseli dan kulture](https://vntheatre.com/projekti/sift/na-ta-veseli-dan-kulture/) - Tomaž Grom v sodelovanju s 111 ustvarjalkami in ustvarjalci “Bojazljiva rit redko spusti vesel prdec” (Luteranska modrost) Tomaž Grom je k sodelovanju pri tej zvočni kompoziciji povabil številne umetnice in umetnike, ki delajo na področju sodobne umetnosti. Njegovo povabilo se nanaša na zelo specifično obliko dela - snemanje lastnega prdca, ki takoj sproži tudi nelagodje
- [What Goes Around Comes Around](https://vntheatre.com/projekti/sift/za-vsako-rit-siba-rase/) - Loup Abramovici • Tomaž Grom “To ni pravično, vsi na kolesa,zakaj ima zajec dolga ušesa.” "It's not fair, everyone on bikes, why the rabbit has long ears."(The Righteous Song) Under the guidance of Loup Abramovici, the children gathered their thoughts on justice, transcribed by Primož Čučnik and set to music by Tomaž Grom. "In France,
- [Za vsako rit šiba rase](https://vntheatre.com/projekti/sift/za-vsako-rit-siba-rase/) - Loup Abramovici • Tomaž Grom “To ni pravično, vsi na kolesa,zakaj ima zajec dolga ušesa.” (Pravičniška pesem) Pod vodstvom Loupa Abramovicija so otroci zbrali svoje misli o pravici, ki jih je prepesnil Primož Čučnik in uglasbil Tomaž Grom. “V Franciji pravimo, da resnica vedno prihaja iz ust otrok (La verité sort toujours de la bouche
- [Kindergarten Sežana](https://vntheatre.com/projekti/sift/vrtec-sezana/) - Andrej Fon • Tjaša Črnigoj Kindergarten ACT (ZVrt) Article 3(Principles of preschool education in kindergartens) Preschool education in kindergartens is a component of the education system, and is based on the following principles:- democracy- pluralism- autonomy, professionalism and responsibility of employees- equal opportunities for children and parents taking into account diversity among children- the right to
- [Vrtec Sežana](https://vntheatre.com/projekti/sift/vrtec-sezana/) - Andrej Fon • Tjaša Črnigoj Zakon o vrtcih (ZVrt) 3. člen(načela predšolske vzgoje v vrtcih) Predšolska vzgoja v vrtcih je sestavni del sistema vzgoje in izobraževanja in poteka po načelih:- demokratičnosti,- pluralizma,- avtonomnosti, strokovnosti in odgovornosti zaposlenih,- enakih možnosti za otroke in starše, upoštevaje različnosti med otroki,- pravice do izbire in drugačnosti in- ohranjanja ravnotežja
- [The Play](https://vntheatre.com/projekti/sift/igra/) - Loup Abramovici Play is serious work Although classical play theory is based on freedom, equality, autonomy and the non-productive nature of play - which sets its own rules that make it stand out from the rules of "real life" - play is also a very serious work. "Civilization grows out of play and, like play,
- [Igra](https://vntheatre.com/projekti/sift/igra/) - Loup Abramovici Igra je resno delo Čeprav klasična teorija igre temelji na svobodi, enakosti, avtonomnosti in neprodukcijski naravi igre, ki si sama postavlja lastna pravila, s katerimi izstopa iz pravil »resničnega življenja« – je igra tudi zelo resno delo. “Civilizacija rase iz igre in kot igra igranja nikoli ne zapusti.” (J. Huizinga, Homo Ludens) Igra
- [PEF, FF, FDV](https://vntheatre.com/projekti/sift/pf-ff-fdv/) - Tomaž Grom Resolution on the National Programme of Higher Education to 2030 (ReNPVŠ30) Strategic goals in social development and the higher education system G 1.1. Improving the international comparability and disciplinary pluralism of the higher education systemG 1.2. Definition of public service in the field of higher education activityG 1.3. Providing free study to all in
- [PEF, FF, FDV](https://vntheatre.com/projekti/sift/pf-ff-fdv/) - Tomaž Grom Resolucija o nacionalnem programu visokega šolstva do 2030 (ReNPVŠ30) Strateški cilji na področju družbenega razvoja in visokošolskega sistema C 1.1. Izboljšanje mednarodne primerljivosti in disciplinarne pluralnosti visokošolskega sistemaC 1.2. Opredelitev javne službe na področju visokošolske dejavnostiC 1.3. Omogočanje brezplačnega študija vsem na vseh treh stopnjahC 1.4. Tesnejša povezanost visokošolskega izobraževanja, raziskovanja in tehnološkega
- [OŠ Videm pri Ptuju](https://vntheatre.com/projekti/sift/os-videm-pri-ptuju/) - Andrej Fon • Loup Abramovici • Tomaž Grom Primary School Act (ZOsn) Article 2(Goals of education) The goals of primary education are:- to provide quality general education to the whole population;- to promote the harmonious physical, cognitive, emotional, moral, spiritual and social development of the individual, taking into account the laws of development;- to facilitate
- [OŠ Videm pri Ptuju](https://vntheatre.com/projekti/sift/os-videm-pri-ptuju/) - Andrej Fon • Loup Abramovici • Tomaž Grom Zakon o osnovni šoli (ZOsn) 2. člen(cilji izobraževanja) Cilji osnovnošolskega izobraževanja so:- zagotavljanje kakovostne splošne izobrazbe vsemu prebivalstvu;- spodbujanje skladnega telesnega, spoznavnega, čustvenega, moralnega, duhovnega in socialnega razvoja posameznika z upoštevanjem razvojnih zakonitosti;- omogočanje osebnostnega razvoja učenca v skladu z njegovimi sposobnostmi in interesi, vključno z razvojem njegove pozitivne samopodobe;- pridobivanje
- [Kindergarten Mežica](https://vntheatre.com/projekti/sift/vrtec-mezica/) - Andrej Fon • Loup Abramovici Kindergarten ACT (ZVrt) Article 4(Goals of preschool education) The goals of preschool education in kindergartens are:- develop abilities to understand and accept oneself and others- develop abilities to negotiate, acknowledge differences, and teamwork- develop abilities to recognise emotions and encourage emotional experience and expression- cultivate curiosity, an inquisitive spirit, imagination and
- [Vrtec Mežica](https://vntheatre.com/projekti/sift/vrtec-mezica/) - Andrej Fon • Loup Abramovici Zakon o vrtcih (ZVrt) 4. člen(cilji predšolske vzgoje) Cilji predšolske vzgoje v vrtcih so:- razvijanje sposobnosti razumevanja in sprejemanja sebe in drugih,- razvijanje sposobnosti za dogovarjanje, upoštevanje različnosti in sodelovanje v skupinah,- razvijanje sposobnosti prepoznavanja čustev in spodbujanje čustvenega doživljanja in izražanja,- negovanje radovednosti, raziskovalnega duha, domišljije in intuicije ter
- [Rakičan](https://vntheatre.com/projekti/sift/rakican/) - Loup Abramovici • Tomaž Grom Resolution on the National Social Care Programme for 2022-2030 (ReNPSV22-30) C.4 All-day institutional care for the elderly (homes for the elderly) Situation: 16,539 residents in care homes for the elderly (71% of residents are over 80 years old). More than 58% of residents need health care in addition to social care.
- [Rakičan](https://vntheatre.com/projekti/sift/rakican/) - Loup Abramovici • Tomaž Grom Resolucija o nacionalnem programu socialnega varstva za obdobje 2022–2030 (ReNPSV22–30) C.4 Celodnevno institucionalno varstvo starejših oseb (domovi za starejše) Izhodiščno stanje: 16.539 stanovalcev domov za starejše (71 % stanovalcev je starih več kot 80 let). Več kot 58 % stanovalcev poleg socialne oskrbe potrebuje tudi zdravstveno nego. Povprečna starost stanovalcev je 83 let.
- [Pelikan](https://vntheatre.com/projekti/sift/pelikan/) - Tomaž Grom Resolution on the National Programme on Illicit Drugs 2023-2030 (ReNPPD23-30) 4.1 Illicit drug use among adolescents and adults The general assessment in Europe is that the level of availability and use of illicit drugs remains high across the EU, although there are significant differences between countries. An estimated 83.4 million or 29% of
- [Pelikan](https://vntheatre.com/projekti/sift/pelikan/) - Tomaž Grom Resolucija o nacionalnem programu na področju prepovedanih drog 2023–2030 (ReNPPD23–30) 4.1 Uporaba prepovedanih drog med mladostniki in odraslo populacijo Splošna ocena v Evropi je, da je raven razpoložljivosti in uporabe prepovedanih drog po vsej EU še vedno visoka, čeprav so med državami precejšnje razlike. Po ocenah je približno 83,4 milijona ali 29 % odraslih (v
- [Hrastovec](https://vntheatre.com/projekti/sift/hrastovec/) - Loup Abramovici • Tomaž Grom Resolution on the National Mental Health Programme 2018-2028 (ReNPDZ18-28) 1. Introduction Good mental health is a cornerstone of general health and, consequently, of social, family and economic stability, social well-being and people's quality of life. Mental disorders are a major burden for individuals and their loved ones, and they also
- [Hrastovec](https://vntheatre.com/projekti/sift/hrastovec/) - Loup Abramovici • Tomaž Grom Resolucija o nacionalnem programu duševnega zdravja 2018−2028 (ReNPDZ18–28) 1. Uvod Dobro duševno zdravje je temelj zdravja nasploh ter posledično socialne, družinske in gospodarske stabilnosti, družbene blaginje ter kakovosti življenja ljudi. Duševne motnje so veliko breme za posameznike in njihove bližnje, pomenijo pa tudi veliko izgubo in obremenitev za gospodarske, socialne in
- [Three Quarters of a Human](https://vntheatre.com/projekti/tricetrt-cloveka/) - Kristina Aleksova “I am a dancer - three-quarters human. I am Slovenian - three quarters European. I am human - three quarters animal.” (Kristina Aleksova) I am a ballerina. I repeat steps, sequences and combinations. I am a choreographer. I am always creating, but I never get to the end. I am a performer. I
- [Tri četrt človeka](https://vntheatre.com/projekti/tricetrt-cloveka/) - Kristina Aleksova “Sem plesalka - tri četrt človeka. Sem Slovenka - tri četrt evropejca. Sem človek - tri četrt živali.” (Kristina Aleksova) Sem balerina. Ponavljam korake, sekvence in kombinacije. Sem koreografinja. Vedno ustvarjam, a nikoli ne pridem do konca. Sem izvajalka. Obračam glavo, premikam roke, noge in trup. Sem telo. Vedno delam, vendar vedno naredim
- [We Are Still Dreaming](https://vntheatre.com/projekti/30-stavkov/se-vedno-sanjamo/) - Anita Wach “Today dreams are allowed, tomorrow is a new day.” Milan Kučan29th sentence of the 30 Movements cycle Fabric. Canvas. Idea. It connects us. It protects us. It covers us. Without it, we are just poor nudes. We belong to it, it belongs to us. It warms us. It gives us shade. Durable. Solid.
- [Še vedno sanjamo](https://vntheatre.com/projekti/30-stavkov/se-vedno-sanjamo/) - Anita Wach “Danes so dovoljene sanje, jutri je nov dan.” Milan Kučan29. stavek cikla 30 stavkov Tkanina. Platno. Ideja. Povezuje nas. Varuje nas. Pokriva nas. Brez nje smo le goli reveži. Pripadamo ji, ona pripada nam. Daje nam senco. Trpežna, vzdržljiva, odporna. Verjamemo, da nam prinaša srečo. Za njeno slavo smo se pripravljeni žrtvovati. Čudovita
- [La isla bonita@Novo leto](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitanovo-leto/) - Varja Hrvatin La isla bonita@Novo leto 2022 • La isla bonitaSite-specific La isla bonita@Novo leto je sklepni glasbeno-uprizoritveni dogodek znotraj cikla Ventilator, sestavljen iz uprizoritve La isla bonita ter klubskega dogodka After La isla bonita. Novo leto, kot dogodek in večer, ki predstavlja ultimativno kulminacijo »hajpa«, vzpostavlja koncept prelomnice velikih sprememb in determinirajočih učinkov. La
- [La Isla Bonita@Novo leto](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitanovo-leto/) - Varja Hrvatin La Isla Bonita@Novo leto 2022 • La Isla BonitaSite-specific LA Isla Bonita@New Year is the resulting hybrid event combining performance and contemporary club music from the cycle Ventilator. It is composed of LA ISLA BONITA performance and clubbing event AFTER LA ISLA BONITA. New Year, as an evening and as an event, represents
- [Two Bottles](https://vntheatre.com/projekti/30-stavkov/dve-steklenici/) - Anita Wach • Bojan Jablanovec “We are all in the gutter, but some of us are looking at the stars.” Oscar Wilde20th sentence of the 30 Movements cycle New endings. Old beginnings. Same solutions. Other issues. Fresh remakes. Aged inventions. Some day the cycle of hope and despair will stop. But not today. Today we will
- [Dve steklenici](https://vntheatre.com/projekti/30-stavkov/dve-steklenici/) - Anita Wach • Bojan Jablanovec “Vsi smo na dnu, toda nekateri gledamo v zvezde.” Oscar Wilde20. stavek cikla 30 stavkov Novi konci. Stari začetki. Enaki zaključki. Druga vprašanja. Sveže predelave. Zastareli izumi. Nekega dne se bo krog upanja in obupa ustavil. Ampak ne danes. Danes se bomo utopili v morju šampanjca in konfetov. Adijo 22. Živjo
- [La Isla Bonita@LPP](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitalpp/) - Varja Hrvatin La Isla Bonita@LPP 2022 • La Isla BonitaSite-specific We invite you for an autumn escape from the city centre; a collective journey through Ljubljana’s public transportation. The boarding on the bus begins at 6 pm when we embark on exploring the peripheral areas of Ljubljana. Bring your Urbana cards, monthly bus passes and
- [La isla bonita@LPP](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitalpp/) - Varja Hrvatin La isla bonita@LPP 2022 • La isla bonitaSite-specific Vabljeni na jesenski pobeg iz centra mesta; skupinsko popotovanje skozi ljubljanski potniški promet. Na avtobus do isle bonite se vkrcavamo ob 18h ter se podajamo na odkrivanje obrobnejšega dela mesta Ljubljana. Prinesite Urbana kartice, mesečne vozovnice in veliko dobre volje. Dobrodošli, da potujete z nami!
- [Consumer Art](https://vntheatre.com/projekti/30-stavkov/consumer-art/) - Anita Wach • Bojan Jablanovec “Pornography becoming the ultimate form of the abjection of war which is unable to simply war, to be simply about killing, and instead turns itself into a grotesque infantile reality-show, in a desperate simulacrum of power” Jean Baudrillard17th sentence of the 30 Movements cycle The kinky pleasure of the defence
- [Consumer Art](https://vntheatre.com/projekti/30-stavkov/consumer-art/) - Anita Wach • Bojan Jablanovec “Pornografija postane končna oblika zanikanja vojne, ki se ne more več vojskovati, preprosto ubijati in se namesto tega spremeni v groteskno infantilno resničnostno predstavo, v obupan simulaker moči.” Jean Baudrillard17. stavek cikla 30 stavkov Perverzni užitek obrambne industrije je po hladni vojni ponovno v razcvetu. Stara militanta prostitutka ima znova
- [Republic](https://vntheatre.com/projekti/30-stavkov/republika/) - Anita Wach • Bojan Jablanovec “Republics end through luxury; monarchies through poverty.” Montesquieu16th sentence of the 30 Movements cycle On the 1st of November, All Saints' Day, the ordinary citizen paused for a moment to face the dying process of the best system of all. Standing in Republic Square, she tries to bid farewell to
- [Republika](https://vntheatre.com/projekti/30-stavkov/republika/) - Anita Wach • Bojan Jablanovec “Republike se končajo z razkošjem, monarhije z revščino.” Montesquieu16. stavek cikla 30 stavkov Prvega novembra, na dan mrtvih, ob zgodnji jutranji uri, se je običajna državljanka za trenutek ustavila, da bi se soočila s procesom umiranja najboljšega sistema med vsemi. Na Trgu republike se poskuša posloviti od okostja plemenite ideje
- [La Isla Bonita@Emona](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitaemona/) - Varja Hrvatin La Isla Bonita@Emona 2022 • La Isla BonitaSite-specific Welcome to the end of summer; an evening cruise through the fairytale heart of the city centre. Starting at 18:00, we will sail to the island of Bonita and embark on a mysterious discovery of the depths of the Ljubljanica River. Bring your smartphones, umbrellas
- [La isla bonita@Emona](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitaemona/) - Varja Hrvatin La isla bonita@Emona 2022 • La isla bonitaSite-specific Vabljeni na zaključek poletja; večerno plovbo skozi pravljično osrčje mestnega jedra. Plovbo do isle bonite pričenjamo ob 18h ter se podajamo na skrivnostno odkrivanje globočin reke Ljubljanice. Prinesite pametne telefone, senčnike in veliko dobre volje. Dobrodošli, da plujete z nami! Zasnova in scenarij — Varja
- [La Isla Bonita@Cielito Lindo](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitacielito-lindo/) - Varja Hrvatin La Isla Bonita@Cielito Lindo 2022 • La Isla BonitaSite-specific We invite you to the beginning of vacation; an evening of summer fun, great music, delicious drinks and seaside delights. We begin the event at 8 pm, but we sail to Isla Bonita until sunrise. Bring cash, flip-flops and a cheerful spirit. Welcome anytime!
- [La isla bonita@Cielito Lindo](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonitacielito-lindo/) - Varja Hrvatin La isla bonita@Cielito Lindo 2022 • La isla bonitaSite-specific Vabljeni na začetek počitnic; večer poletne zabave, dobre glasbe, izvrstne pijače in morskih užitkov. Druženje pričenjamo ob 20h, vendar do isle bonite plujemo vse do jutranjih ur. Prinesite gotovino, japanke in veliko dobre volje. Dobrodošli kadarkoli! Zasnova in scenarij — Varja HrvatinSnovanje in izvedba
- [Tomorrow We Attack (The Kiss)](https://vntheatre.com/projekti/poljub-jutri-gremo-v-napad/) - Kristina Aleksova Tomorrow We Attack (The Kiss) 2021AR video • 2'47'' A kiss can be an act of reconciliation or an act of death. As long as the space between the lips is neutral, there is no need to fear fatal consequences. But civilisation can collapse if a kiss happens in the wrong place at
- [Jutri gremo v napad (Poljub)](https://vntheatre.com/projekti/poljub-jutri-gremo-v-napad/) - Kristina Aleksova Jutri gremo v napad (Poljub) 2021AR video • 2'47'' Poljub je lahko dejanje sprave ali smrti. Dokler je prostor med ustnicama nevtralen, se ni treba bati usodnih posledic. Toda civilizacija se lahko zruši, če se poljub zgodi na napačnem mestu in v neprimernem trenutku... Video je nastal na povabilo FFT Düsseldorf kot partnerja
- [One Two Free](https://vntheatre.com/projekti/one-two-free/) - Anita Wach One Two Free 2021AR video • 3'01'' The concept of freedom cannot be understood in the singular. One can only speak of freedom when there are at least two. Freedom is an endless game of master and servant, servant and master, servant and servant, master and master… This video was made at the
- [One Two Free](https://vntheatre.com/projekti/one-two-free/) - Anita Wach One Two Free 2021AR video • 3'01'' Koncepta svobode ni mogoče razumeti v ednini. O svobodi je mogoče govoriti šele, ko obstajata vsaj dva. Svoboda je neskončna igra gospodarja in hlapca, hlapca in gospodarja, hlapca in hlapca, gospodarja in gospodarja … Video je nastal na povabilo FFT Düsseldorf kot partnerja Bündnis internationaler Produktionshäuser,
- [Promising #10](https://vntheatre.com/projekti/obetavno/obetavno-10/) - Roberta Milevoj • Loup Abramovici • Tomaž Grom The potential of content: Roberta Milevoj Roberta Milevoj is a Croatian dancer and choreographer who, since 1998, has been actively collaborating with Croatian authors and companies in the field of contemporary performance art and with groundbreaking choreographers in the field of contemporary dance. In 2005 she started
- [Obetavno #10](https://vntheatre.com/projekti/obetavno/obetavno-10/) - Roberta Milevoj • Loup Abramovici • Tomaž Grom Potencial vsebine: Roberta Milevoj Roberta Milevoj je hrvaška plesalka in koreografinja, ki od leta 1998 aktivno sodeluje s hrvaškimi avtorji in skupinami s področja sodobne izvedbene umetnosti ter prodornimi koreografi na področju sodobnega plesa. Leta 2005 je začela z avtorskim delom in v tem času podpisala več
- [Gallop 2002-2022](https://vntheatre.com/projekti/vn20/galop-2002-2022/) - Poster exhibition From humanism to barbarism From idealism to dogmatism.From socialism to brutalism.From optimism to vulgarism.From populism to extremism.From patriotism to militarism. Via NegativaSelected works from 2002 to 2022 Galop 2002-2022 VN20 • Poster exhibitionTwenty posters for twenty projects between 2002-2022 Design and text — Bojan JablanovecPhotos by — Marcandrea Bragalini, Peter Uhan, Srdjan Pabllo
- [Galop 2002-2022](https://vntheatre.com/projekti/vn20/galop-2002-2022/) - Razstava plakatov Od humanizma do barbarizma Od idealizma do dogmatizma.Od socializma do brutalizma.Od optimizma do vulgarizma.Od populizma do ekstremizma.Od patriotizma do militarizma. Via NegativaIzbrana dela od 2002 do 2022 Galop 2002-2022 VN20 • Razstava plakatovDvajset plakatov za dvajset projektov med leti 2002-2022 Oblikovanje in besedila — Bojan JablanovecFotografije — Marcandrea Bragalini, Peter Uhan, Srdjan Pabllo
- [Maybe It Is Time...](https://vntheatre.com/projekti/mogoce-je-napocil-cas/) - Loup Abramovici • Tomaž Grom Does a concert sound better than music? Performance as an open form of encounter between musician and dancer. Dancer Loup Abramovici and musician Tomaž Grom simply take the time to respond to each other, looking for those precious moments when a performance unexpectedly sounds like a harmony of space, time,
- [Mogoče je napočil čas...](https://vntheatre.com/projekti/mogoce-je-napocil-cas/) - Loup Abramovici • Tomaž Grom Ali koncert zveni bolje od glasbe? Performans kot odprta forma za srečanje glasbenika in plesalca. Plesalec Loup Abramovici in glasbenik Tomaž Grom si preprosto vzameta čas, da se odzivata drug na drugega in iščeta tiste dragocene trenutke, ko izvedba nepričakovano zazveni kot sozvočje prostora, časa, dejanja in zaznave. To so
- [Bi ne bi](https://vntheatre.com/projekti/sedem-smrtnih-grehov/bi-ne-bi/) - Barbara Kukovec • Barbara Matijević • Bojan Jablanovec • Branko Jordan • Gregor Zorc • Katarina Stegnar • Kristian Al Droubi • Marko Mandić • Petra Zanki • Sanela Milošević • Silvia Marchig Dotik gledalca Izvajalci zapeljujejo gledalce, da bi sodelovali v performansu o pohoti. Gledalci morajo prevzeti odgovornost za potek performansa in aktivno sodelovati
- [Taste of Being](https://vntheatre.com/projekti/extima/okus-bivanja/) - Olja Grubić The language spoken by all living beings Food is an ideological field manifesting the friction between different peoples, cultures, subcultures, generations, families, genders, etc. Pierre Bordieu says that "taste must be understood as a social phenomenon. Taste is not the result of individual choice, it is a social creation." As part of culture,
- [Okus bivanja](https://vntheatre.com/projekti/extima/okus-bivanja/) - Olja Grubić Jezik, ki ga govorijo vsa živa bitja Hrana je ideološko polje, kjer se manifestirajo torišča med različnimi narodi, kulturami, subkulturami, generacijami, družinami, spoli ... Pierre Bordieu pravi, da je treba “okus razumeti kot družbeni pojav. Okus ni rezultat individualne izbire, ampak je družbena stvaritev.” Kot del kulture se hrana vpisuje v naše telo
- [Don't Force Me to Say What I Think](https://vntheatre.com/projekti/ne-me-silit-da-povem-kaj-mislim/) - Anita Wach • Bojan Jablanovec Illusionary truths and real fictions (Anita Wach) Don't Force Me to Say What I Think is a performance about spectacle. About the omnipresent dictate of the image and about freedom hidden in darkness. About objectivity of physical phenomena and the nature of perception. About the materiality of thought and the
- [Ne me silit, da povem, kaj mislim](https://vntheatre.com/projekti/ne-me-silit-da-povem-kaj-mislim/) - Anita Wach • Bojan Jablanovec Iluzorne resnice in resnične fikcije (Anita Wach) Ne me silit, da povem, kaj mislim je predstava o spektaklu. O vseprisotnem diktatu podobe in o svobodi, skriti v temi. O objektivnosti fizičnih pojavov in naravi zaznavanja. O materialnosti misli in zakonih kinetike. O hitrosti svetlobe in vzdržljivosti mišic. O umetnosti in
- [Prisoners of Freedom](https://vntheatre.com/projekti/30-stavkov/ujetniki-svobode/) - Anita Wach “Omnis vita servitium est.” Hannah Arendt8th sentence of the 30 Movements cycle Figure of a ballet dancer is a representation of a strict form, self-control and discipline. During performance a small ensemble of ‘ballerinas’, let’s call them ‘liberal bourgeoisie’, act as warriors of beauty fighting against natural limitations. They are guards of total
- [Ujetniki svobode](https://vntheatre.com/projekti/30-stavkov/ujetniki-svobode/) - Anita Wach “Omnis vita servitium est.” Hannah Arendt8. stavek cikla 30 stavkov Figura baletnega plesalca je reprezentacija stroge forme, samokontrole in discipline. Člani majhnega ansambla balerin, recimo jim “liberalna buržoazija”, v performansu nastopajo kot bojevniki lepote, ki kljubujejo naravnim omejitvam. So varuhi popolne podrejenosti višjemu namenu, promotorji strogih form, s katerimi je mogoče doseči svobodo
- [MandićCircus (dressed)](https://vntheatre.com/projekti/mandiccirkus-oblecen/) - Bojan Jablanovec • Marko Mandić Intrigue in the difference (Eva Kraševec) "MandićCircus (dressed) already underlines the most obvious difference with its complement in the title, and at the same time, immediately after the premiere of MandićCircus on the big stage of the Ljubljana Drama (06/05/2022), it establishes a field of intrigue, speculating on the difference
- [MandićCirkus (oblečen)](https://vntheatre.com/projekti/mandiccirkus-oblecen/) - Bojan Jablanovec • Marko Mandić Intriga v razliki (Eva Kraševec) “MandićCirkus (oblečen) že s svojim dopolnilom v naslovu podčrta najvidnejšo razliko, obenem pa takoj po premieri performansa MandićCirkus na velikem odru ljubljanske Drame (06-05-2022) vzpostavlja polje intrige, ugibanja o sami razliki ter vzrokih za spremembo. Zavedajoč se konteksta in pogojev uprizarjanja MandićCirkus (oblečen) predstavlja vnovični
- [Physis Cinema](https://vntheatre.com/projekti/nerazresljivo/physis-cinema/) - Video installation Pandemic reflex The Physis project was created during the Covid-19 pandemic. Due to the ban on public events, we adapted the performance entirely for video and broadcast it online in April 2021. The Physis video was created with the idea of broadcasting it as a view from four different cameras, which the viewer
- [Physis Cinema](https://vntheatre.com/projekti/nerazresljivo/physis-cinema/) - Video instalacija Pandemični refleks Projekt Physis je nastajal v času pandemije Covid-19. Zaradi prepovedi javnih prireditev smo performans v celoti adaptirali za video in ga aprila 2021 predvajali na spletu. Video Physis je bil posnet z idejo, da bi ga predvajali kot pogled štirih različnih kamer, med katerimi gledalec lahko med ogledom preklaplja po svoji
- [/ auto /](https://vntheatre.com/projekti/avto/) - Anita Wach “History that repeats itself turns to farce. Farce that repeats itself turns to history.” Jean Baudrillard10th sentence of the 30 Movements cycle Auto. Author. Autonomy. Automat. Autoeroticism. Autocracy. Autopsy… We parked -auto- in a term that defines ‘self-governing’ or free identity, as well as in a word that indicates our everyday insanities. This
- [/ avto /](https://vntheatre.com/projekti/avto/) - Anita Wach “Zgodovina, ki se ponavlja, se sprevača v farso. Farsa, ki se ponavlja, se sprevača v zgodovino.” Jean Baudrillard10. stavek cikla 30 stavkov Avto. Avtor. Avtonomija. Avtomat. Avtoerotizem. Avtokracija. /avto/ smo parkirali v pojem, ki opredeljuje ‘samoupravljajočo’ ali svobodno identiteto in v besedo, ki označuje naše vsakdanje brezumnosti. To smo mi: avtonomna ozemlja, ki jih
- [Three Pieces on Happiness](https://vntheatre.com/projekti/vn-lab/tri-miniaturke-o-sreci/) - 2012 • VN Lab Three Pieces on Happiness Vito WeisDon't Look Me In the TeethSolo performance • 15 min Zala Ana ŠtiglicDon't Be a Pussy, Pull the TriggerSolo performance • 10 min Rok KravanjaNo One Will Throw Me Out of HereSolo performance • 25 min VN Lab 2012 Devised and performed by — Vito Weis,
- [Tri miniaturke o sreči](https://vntheatre.com/projekti/vn-lab/tri-miniaturke-o-sreci/) - 2012 • VN Lab Tri miniaturke o sreči Vito WeisNe me vlačit po zobehSolo performans • 15 min Zala Ana ŠtiglicNe stiskaj pičke, stisni petelinaSolo performans • 10 min Rok KravanjaMene od tu nihče ne bo ven metalSolo performans • 25 min VN Lab 2012 Zamisli in izvedba — Vito Weis, Zala Ana Štiglic, Rok
- [Visiting Hour](https://vntheatre.com/projekti/vn-lab/obiskovalci/) - 2013 • VN Lab Nobody should be here but me The central driving force of the performance is the silent presence of the spectator, his expectation, his gaze, his immobility. This is a perfectly normal and self-evident relationship between performer and spectator. But in Eric Dean Scott's performance, the presence of the spectators is not
- [Obiskovalci](https://vntheatre.com/projekti/vn-lab/obiskovalci/) - 2013 • VN Lab Nihče razen mene ne bi smel biti tukaj Osrednje gonilo performansa je nema prisotnost gledalca, njegovo pričakovanje, njegov pogled, njegova negibnost. To je sicer povsem običajno in samo po sebi umevno razmerje med izvajalcem in gledalcem. Toda v performansu Erica Deana Scotta prisotnost gledalcev ni sama po sebi umevna, temveč pomota
- [The Bitch, Ground Zero, The Castle](https://vntheatre.com/projekti/vn-lab/psica-tocka-nic-grad/) - 2014 • VN Lab The Bitch, Ground Zero, The Castle Brina KlampferThe BitchSolo performance Stane TomazinGround ZeroSolo performance Simon Belak, Maruša Majer, Saša Pavlin Stošič, Vid KlemencThe CastleA study of anxiety in 13 pictures (according to the novel by Franz Kafka: The Castle) VN Lab 2014 Devised and performed by: Brina Klampfer, Stane Tomazin, Simon
- [Psica, Točka Nič, Grad](https://vntheatre.com/projekti/vn-lab/psica-tocka-nic-grad/) - 2014 • VN Lab Psica, Točka Nič, Grad Brina KlampferPsicaSolo performans Stane TomazinTočka NičSolo performans Simon Belak, Maruša Majer, Saša Pavlin Stošič, Vid KlemencGradŠtudija tesnobe v 13 slikah po motivih Franza Kafke VN Lab 2014 Zamisli in izvedba: Brina Klampfer, Stane Tomazin, Simon Belak, Maruša Majer, Saša Pavlin Stošič, Vid KlemencMentor — Bojan JablanovecProducentka —
- [To the Last Drop](https://vntheatre.com/projekti/vn-lab/do-zadnje-kaplje/) - 2015 • VN Lab Many reasons to drink Drinking is one of the most universal ways to express and socialise a wide range of emotions, from joy to sadness, from hope to despair, from defeat to triumph… In fact, there is no reason that is not good for drinking. Lana Zdravković drinks to the rights
- [Do zadnje kaplje](https://vntheatre.com/projekti/vn-lab/do-zadnje-kaplje/) - 2015 • VN Lab Veliko razlogov za pitje Pitje je eden najbolj univerzalnih načinov, s katerim izražamo in socializiramo široko paleto čustev od veselja do žalosti, od upanja do obupa, od poraza do zmagoslavja… V resnici ni nobenega razloga, ki ne bi bil primeren za pitje. Lana Zdravković pije na pravice in svoboščine, ki jih
- [Sugar](https://vntheatre.com/projekti/vn-lab/cuker/) - 2016 • VN Lab When the idea turns into opium? When the sugar turns into poison?Why the past never disappears?Why the forbidden tastes so sweet?Why do we need borders to feel free? Sugar 2016 • VN LabPerformance • 45 min Devised and performed by: Jakub Čermak, Lana Zdravković, Olja Grubić, Andraž Jug, Sara Horžen, Yuliya
- [Cuker](https://vntheatre.com/projekti/vn-lab/cuker/) - 2016 • VN Lab Kdaj se ideja spremeni v opij? Kdaj se sladkor spremeni v strup?Zakaj preteklost nikoli ne mine? Zakaj je prepovedano tako sladko? Zakaj potrebujemo meje, da bi bili svobodni? Cuker 2016 • VN LabPerformans • 45 min Zamisli in izvedba: Jakub Čermak, Lana Zdravković, Olja Grubić, Andraž Jug, Sara Horžen, Yuliya MolinaMentor
- [Normal](https://vntheatre.com/projekti/vn-lab/normalno/) - 2017 • VN Lab Freedom or security? How much freedom are we willing to sacrifice for security? On the one hand, security is a deeply intimate need of the individual; on the other, it is the territory of ideological manipulation, economic enslavement and political trading. In this game, many things have become normal. Normal 2017
- [Normalno](https://vntheatre.com/projekti/vn-lab/normalno/) - 2017 • VN Lab Svoboda ali varnost? Koliko svobode smo pripravljeni žrtvovati za varnost? Na eni strani je varnost globoko intimna potreba posameznika, na drugi strani pa teritorij ideoloških manipulacij, ekonomskega zasužnjevanja in političnega trgovanja. V tej igri je marsikaj postalo normalno. Normalno 2017 • VN LabPerformans • 70 min Zamisli in izvedba: Kristina Aleksova,
- [There Will Be No Bread From This Flour](https://vntheatre.com/projekti/vn-lab/iz-te-moke-ne-bo-kruha/) - 2018 • VN Lab We will not be the milk cows of ideology Woman. Body. Child.Future. Hope. Nation. Land.There will be no bread from this flour.In VN Lab's new production, eight female performers take the stage with their own reasons, beliefs and experiences, and with one answer: we will not be the milk cows of
- [Iz te moke ne bo kruha](https://vntheatre.com/projekti/vn-lab/iz-te-moke-ne-bo-kruha/) - 2018 • VN Lab Ne bomo molzne krave ideologije Ženska. Telo. Otrok. Prihodnost. Upanje. Narod. Država. Iz te moke ne bo kruha. V novi produkciji VN Lab-a osem performerk stoji na odru s svojimi razlogi, prepričanji in izkušnjami ter z enim odgovorom: Ne bomo molzne krave ideologije. Iz te moke ne bo kruha 2018 • VN
- [Organic Waste](https://vntheatre.com/projekti/vn-lab/organski-odpadki/) - 2019 • VN Lab The body resists any ideology The production includes three collective situations that treat the human body as the basic source of "dirt" in the ideological, biological and cultural sense of the word. Today, the great struggle against the pollution of the planet is gradually turning into ideological moralism. But the body exists
- [Organski odpadki](https://vntheatre.com/projekti/vn-lab/organski-odpadki/) - 2019 • VN Lab Telo se upira vsaki ideologiji Performans vključuje tri kolektivne izvedbene situacije, ki v ospredje postavljajo človeško telo kot bazični vir “umazanije” in to v ideološkem, biološkem in kulturnem pomenu besede. Velika civilizacijska bitka z onesnaževanjem in reševanjem planeta se je spremenila v ideološko intonirani moralizem. Toda telo obstaja zunaj moralnih pravil, ostaja
- [House Arrest](https://vntheatre.com/projekti/vn-lab/hisni-pripor/) - 2024 • VN Lab Home as a lifelong prison House arrest is a popular punishment for adolescents. Confined within the walls of your home, imprisoned by your own home habits, home wisdoms, home jokes, home tastes and smells, home hugs and kisses, you are waiting for a reprieve. When the pardon finally comes, you realise,
- [Hišni pripor](https://vntheatre.com/projekti/vn-lab/hisni-pripor/) - 2024 • VN Lab Dom kot doživljenjski zapor Hišni pripor je priljubljena kazen za mladostnike. Zaprt med domače stene, zaprt med domače navade, domače modrosti, šale, okuse in vonjave, objeme in poljube čakaš na pomilostitev. Ko pomilostitev končno pride, že precej siv spoznaš, da je kazen doživljenjska. Pomilostitev je le opomin, da tvoj dom nima
- [MandićMachine](https://vntheatre.com/projekti/via-nova/mandicstroj-2/) - Marko Mandić A machine for the production of emotions, a medium of identification and a body of fascination In just over an hour, Marko runs 37 dramatic characters through his body and performs the core of an actor who cannot be reduced to a role. The quoted dramatic characters retain their physical characteristics, original texts,
- [MandićStroj](https://vntheatre.com/projekti/via-nova/mandicstroj-2/) - Marko Mandić Stroj za proizvodnjo emocij, medij identifikacije in telo fascinacije Marko v dobri uri čez svoje telo požene 37 dramskih likov in uprizori jedro igralca, ki ga ni mogoče reducirati na vlogo. Citirani dramski liki ohranjajo svoje telesne značilnosti, izvirna besedila, odrski govor, tipične situacije in, kjer je to le mogoče, tudi originalne kostume,
- [Physis Icons](https://vntheatre.com/projekti/nerazresljivo/physis-icons/) - Anita Wach • Bojan Jablanovec Choreograpy of contagion The body. A harmonious, seductive, flexible icon of nature. But also cruel, violent and painfully pragmatic. When it speaks with the language of pain, the intellect becomes obsessed with finding a way out. Our inner politician demands the regulation of nature; our hidden anarchist shouts to accept
- [Physis Icons](https://vntheatre.com/projekti/nerazresljivo/physis-icons/) - Anita Wach • Bojan Jablanovec Koreografiranje kužnosti Telo. Harmonična, zapeljiva, gibka ikona narave. Vendar tudi kruta, nasilna in boleče pragmatična. Ko spregovori z jezikom bolečine, intelekt postane obseden z iskanjem izhoda. Naš notranji politik zahteva regulacijo narave; naš skriti anarhist kriči, naj sprejmemo pravila kaosa. Ko bo likvidiran jezik bolečine, bo uspavan tudi jezik razuma.
- [What Joseph Beuys Told Me...](https://vntheatre.com/projekti/via-nova/kaj-mi-je-povedal-joseph-beuys-ko-sem-mrtev-lezal-v-njegovem-narocju/) - Boris Kadin "One is not born an artist, nor does one become an artist through one's work - one can only die an artist" (Boris Kadin) Boris Kadin is convinced that Joseph Beuys is an artist beyond all categories. In order to be able to discuss Beuys credibly, Kadin assumes the role of a dead
- [Via II. Gymnasium Maribor](https://vntheatre.com/projekti/via-nova/via-ii-gimnazija-maribor/) - Collective presentation Eight performances in the logic of the school day In his essay Erasing the Audience, Blaž Lukan says that the omniscient viewer has no need of theatre, because the viewer who comes to the theatre has never learned anything and never will learn anything. Via II. Gymnasium Maribor performances take place in the
- [The First Law of B.K.](https://vntheatre.com/projekti/via-nova/prvi-zakon-b-k-2/) - Barbara Kukovec “The basic function of BK is energy conversion. BK does not call this life or suffering, nor does it seek to improve or correct it.” (Barbara Kukovec) A performance for four projectors, a bicycle and a cyclist. The first law is derived from the first law of thermodynamics, which says: "Energy cannot be
- [Still Life](https://vntheatre.com/projekti/via-nova/tihozitje/) - Nataša Živković Retreat into stillness Still Life is a loop of three traditional forms: still life as a visual form, ballet as a form of movement, and verse as a form of thought. The transgression of the traditional norm, as a socially accepted convention, was once considered an excess: an immoderate, excessive, hysterical reaction. Until
- [Spotlight on Me](https://vntheatre.com/projekti/via-nova/reflektor-name/) - Barbara Kukovec The paradox of living presence “Richard Wagner: The Dance of the Valkyrie. Louder. Louder. Louder. And - boom. The theatre explodes. The walls collapse, the ceiling falls in on us. But you and I survive. All that's left is you, me and her - a memory of everything that's gone.” La Ribot's performance
- [Rally of Truth](https://vntheatre.com/projekti/via-nova/miting-resnice/) - Boris Kadin “I love this land, the pastures and my flock” (Boris Kadin) An auto-ironic retrospective of the political and ideological heritage of the former Yugoslavia, tailored from the standards of the Croatian popular music. The performance takes its title from the large “people's”rallies that took place in the late 1980s, where Serbian politicians proclaimed
- [Pure Performance](https://vntheatre.com/projekti/via-nova/cisti-performans/) - Jaka Lah “Every second that passes between us should be a clean second” (Jaka Lah) Pure Performance problematises form as a basic tool of artistic expression. Jaka places himself and the viewer in the position of prisoners of form: “I want us to be clear from the beginning. I don't care where you come from.
- [Naked Presence](https://vntheatre.com/projekti/via-nova/gola-prisotnost/) - Collective presentation This is not art. This is presence. “Today there is no longer any "ontological" difference between making art and displaying art. In the context of contemporary art, to make art is to show things as art.” (Boris Groys, Politics of Installation, e-flux journal #2, 01/2009) The gallery performance Naked Presence is an installation
- [Interview With the Artist](https://vntheatre.com/projekti/via-nova/pogovor-z-umetnikom/) - Kristian Al Droubi “I am a mixture of Syrian and Arab blood, which is a great genetic potential” (Kristian Al Droubi) On the political impotence of radical artistic practice, on confession as media spectacle, on the impotence of communication and subjectivation, on the imperative of pleasure in contemporary post-industrial society … The questions, based on
- [Hunt for the Real](https://vntheatre.com/projekti/via-nova/lov-na-realno-2/) - Bojan Jablanovec • Blaž Lukan • Gregor Zorc • Katarina Stegnar • Boris Kadin • Kristian Al Droubi VN performing strategies According to Alain Badiou, one of the fundamental characteristics of the 20th century is its passion for the real. This is why art "wants to show its process, to make its materiality visible (and)
- [Guilty!](https://vntheatre.com/projekti/via-nova/kriv/) - Boris Kadin Public reading of the indictment against the President and Executive Directors of the IMF for the crime of economic genocide against humanity In the indictment, performer Boris Kadin asks who is to blame for the fact that we are gradually losing our right to water, oxygen and life in general. Who is to
- [Good Deal](https://vntheatre.com/projekti/via-nova/dober-posel/) - Gregor Zorc Contract with the audience Gregor gives the money back to the audience and proposes a new contract: “I know I could have earned more. We could all earn more. We deserve a better and bigger theatre. You deserve a comfortable seat and a good show. I deserve a little more audience, a little
- [Game With Toothpicks](https://vntheatre.com/projekti/via-nova/igra-z-zobotrebci/) - Boris Kadin • Kristian Al Droubi “The New is something no one can expect - and no one really wants” (Boris Kadin) Documentary performance about media reactions to the performance Not Like Me at the Zadar Snova Festival (13-08-2007, Zadar). "Slobodna Dalmacija, 16-08-2007, Groza v Zadru. The bloody performance of the Via Negativa theatre group
- [Extract Mandić](https://vntheatre.com/projekti/via-nova/ekstrakt-mandic/) - Marko Mandić “Mandić is difficult to extract. As if the impotence comes exactly when he enters the stage.“ (Marko Mandić) “Until now I have played, some still, 33 roles (14 of them dressed). In three performances I had to jerk off. I could have marked the masturbation, because each time the penis was hidden from
- [Erasing the Audience](https://vntheatre.com/projekti/via-nova/izbris-gledalca/) - Blaž Lukan Strategies for establishing a relationship with the viewer A theoretical tour through the strategies developed by VN in the performance cycle Seven Deadly Sins (2002-2008) to establish a relationship with its audience. Through analysis, the lecturer initiates a series of demonstrations that place him at the centre of the effects of what he
- [Drop Dead](https://vntheatre.com/projekti/via-nova/stegn-se/) - Katarina Stegnar The idea we all believe in A performance in which we all have to play our part: the performer becomes the corpse, the audience the undertaker, the performance the funeral. "What would you like for your last meal? Where do you want to be buried? How would you like to be buried? Who
- [Buyer With an Eye](https://vntheatre.com/projekti/via-nova/kupec-z-zilico/) - Katarina Stegnar “Your money has become a work of art. The starting price is €500.” (Katarina Stegnar) On the difference between the price and the value of a work of art. Katarina puts the viewer in the position of the one who witnesses the creation of her work of art and is the only one
- [Being Ignacij Borštnik](https://vntheatre.com/projekti/via-nova/biti-ignacij-borstnik/) - Collective presentation Three possible answers to the question of what it means to be Ignacij Borštnik Being Ignacij Borštnik is the joint title of three performances whose themes relate to the context of the Borštnik Meeting (Maribor Theatre Festival), named after the Slovenian actor and director Ignacij Borštnik (1858-1919), the founder of contemporary Slovenian theatre.
- [Balkan Connection](https://vntheatre.com/projekti/via-nova/balkanska-zveza/) - Collective presentation The Balkans are an inexhaustible source of corpses and originals Balkan Connection is a set of three performances directed by a Slovenian (Bojan Jablanovec) who brings together a Croatian (Boris Kadin) and a Serb (Kristian Al Droubi) in the context of Joseph Beuys, Marina Abramović and the theoretical reflection of Bojana Kunst. With
- [True Story](https://vntheatre.com/projekti/resnicna-zgodba/) - Jonathan Bonnici • Satya Bhabha Fiction as the fabric of reality Multidisciplinary artists Satya Bhabha and Jonathan Bonnici use the power of fiction to create a space of common ground in a world where truth is increasingly contested. On a bare stage and surrounded by spectators, the two performers spin an irresistible series of stories,
- [This!](https://vntheatre.com/projekti/this/) - Argyro Chioti • Boris Kadin • Efthymios Theou • Vassilis Haralambidis Appendix of Communication Is it possible to say anything in contemporary art today that is not political? Does everything we see and hear on stage make us wiser and more enlightened? Why do we believe what we see more than what we say? This!
- [The Kiss](https://vntheatre.com/projekti/poljub/) - Kristina Aleksova “A kiss is just a kiss” So goes the famous song.But a kiss is more than just lips meeting.As time goes by.A kiss is risky.A kiss is dangerous.A kiss is a death sentence. The Kiss 2022Dance performance • 40 min Conceived by — Kristina AleksovaDevised and performed by — Loup Abramovici, Tomaž Grom,
- [The Heart](https://vntheatre.com/projekti/srce/) - Kristina Aleksova The muscle that drives everyone, even the heartless The heart. The muscle. The pump. The organ. Symbol. Metaphor. The muscle that drives everyone, even the heartless. A pump that is tormented by the clutter of everyday life. Hypertrophies, loosens, fibrillates. A metaphor as hot as fire or as cold as ice. A symbol
- [Worksite of Pleasure](https://vntheatre.com/projekti/sift/mesto-uzitka/) - Rok Kravanja Workplaces of prostitution Between February and June 2020, performer Rok Kravanja takes on the role of a customer for sexual services in the gay prostitution market and uses his mobile phone to document Slovenian workplaces of prostitution. Using the username pleasure8, he selects offers on one of the legal intimate dating portals. The
- [Justice Is Coming](https://vntheatre.com/projekti/sift/pravica-prihaja/) - Anita Wach • Kristina Aleksova Half awake, half asleep, we step outside After a long period of closure due to Covid-19, we can finally eat outside again. We have prepared a feast with plenty of food and the best wine. We toast to the pharmacists and all the engineers of the new reality, that we
- [Breathe](https://vntheatre.com/projekti/sift/dihaj/) - Olja Grubić Breathe and let others breathe We live between our first and last breath. We breathe to live. We live as we breathe. Breathing brings oxygen to the brain. Breathing produces thoughts. Breathing is life, existence, thought. Through minimalist action, we instantiate the basic human right to exist. We let ourselves breathe. Let others
- [Shift](https://vntheatre.com/projekti/sift/) - 2018 - 2021 • Cycle of workshops and performative events Health. Knowledge. Work. Justice. Shift moves within the institutions of health, social care and education. Shift performs with and for those who work and live in these institutions. Shift does not invent. Shift is the evidence of the evident. Shift is interested in the potential of
- [Would Would Not](https://vntheatre.com/projekti/sedem-smrtnih-grehov/bi-ne-bi/) - Barbara Kukovec • Barbara Matijević • Bojan Jablanovec • Branko Jordan • Gregor Zorc • Katarina Stegnar • Kristian Al Droubi • Marko Mandić • Petra Zanki • Sanela Milošević • Silvia Marchig The touch of the spectator The performers seduce the audience to participate in a performance about lust. The audience has to take
- [Not Like Me](https://vntheatre.com/projekti/sedem-smrtnih-grehov/ne-kot-jaz/) - Bojan Jablanovec • Boris Kadin • Iva Burčul • Kristian Al Droubi It all started with looking at the wall The performance theatricalises envy as the most self-destructive relationship and as the dominant relationship between the performers we're watching. The show ends with a game of knives, the point at which all that matters is
- [More](https://vntheatre.com/projekti/sedem-smrtnih-grehov/se/) - Barbara Kukovec • Boris Mihalj • Bojan Jablanovec • Daša Doberšek • Gregor Zorc • Jaka Lah • Mateja Pucko • Petra Govc The gluttony of the gaze Food in the form of various food products represents a basic set of props that performers use in situations in which they reveal their own gluttony or
- [Four Deaths](https://vntheatre.com/projekti/sedem-smrtnih-grehov/stiri-smrti/) - Barbara Kukovec • Bojan Jablanovec • Gregor Zorc • Katarina Stegnar • Petra Zanki Envy as a phantasm of death Just as in the biblical story of envy, the brothers Abel and Cain compete for the love of God, in the theatre we compete for the love of the audience. In our story of envy,
- [Seven Deadly Sins](https://vntheatre.com/projekti/sedem-smrtnih-grehov/) - 2002 - 2008 • Performance cycle Subjectivisation via negativa For the Via Negativa platform, mortal sins represent a generally recognisable thematic field that constitutes an archetypal front of conflict in the relationship between the subject and society. For the Catholic Church, anger, laziness, lust, gluttony, greed, envy and pride represent the origin of evil; on
- [Rib Cage](https://vntheatre.com/projekti/moje-telo-moja-kletka/) - Anja Novak • Tomaž Grom I make art of myself (Anja Novak) My body. My cage, my corset, my support, my safety, my prison, my protection. I am the cage, I am the prisoner, I am the instrument. I sound when Grom strikes. I make of myself what I want. I make of myself what
- [Retrospective 2002-2012](https://vntheatre.com/projekti/retrospektiva-vn-2002-2012/) - Video installation The more everything is visible, the less we see 10 years of Via Negativa Excess, as one of the performing strategies, has strongly marked the first decade of VN. Transgressive acts, nudity, provocation, shock, etc. have never been cheap means of attracting media attention, but rather deliberate strategies to reveal insights into the
- [Unbelievable](https://vntheatre.com/projekti/obetavno/neverjetno/) - Loup Abramovici • Tomaž Grom • Eduardo Raon • Jaša Mrevlje Pollak • Primož Bezjak Believe the unbelievable The final event of the Promising cycle Amazing things probably happen every day. The only amazing thing is that we no longer know how to marvel at them. Our homes are becoming corporate clones, our cities are
- [Promising #9](https://vntheatre.com/projekti/obetavno/obetavno-9/) - Jaša Mrevlje Pollak • Loup Abramovici • Tomaž Grom Potential of content: Jaša Mrevlje Pollak JAŠA (Mrevlje-Pollak) is a conceptual artist based in Berlin. He represented Slovenia at the 2015 Venice Biennale and is best known for his in situ installations and durational performances. He has exhibited widely in Europe, the USA and South America.
- [Promising #8](https://vntheatre.com/projekti/obetavno/obetavno-8/) - Matej Stupica • Loup Abramovici • Tomaž Grom Potential of content: Matej Stupica Matej Stupica is a visual artist who works in various artistic fields. He creates and co-creates installations, drawings, performances, artist's books, paintings, comics, illustrations for books, newspapers, audio editions, etc. Since 2012, he has also been collaborating with the artist Lenka Đorojević.
- [Promising #7](https://vntheatre.com/projekti/obetavno/obetavno-7/) - Katarina Pejović • Loup Abramovici • Tomaž Grom Potential of content: Katarina Pejović Katarina Pejović is a dramaturge, intermedia artist, writer, educator, cultural activist and translator. From 2001 to 2012 she was co-author of the projects of the art platform Bacači Sjenki together with Boris Bakal. Since 2013 she has been a lecturer at the
- [Promising #6](https://vntheatre.com/projekti/obetavno/obetavno-6/) - Tomi Janežič • Loup Abramovici • Tomaž Grom The potential of content: Tomi Janežič Tomi Janežič is a theatre director, teacher and psychodrama therapist. Since 1996 he has been running the Studio for the Research of the Art of Acting, which for the last few years has been based at the Krušče Creative Center. Janežič
- [Promising #5](https://vntheatre.com/projekti/obetavno/obetavno-5/) - Maja Rivić • Loup Abramovici • Tomaž Grom The potential of content: Maja Rivić Maja Rivić graduated from Middlesex University in London with a degree in singing, composition and arranging. She is the co-founder and lead singer of the jazz orchestra Mimik - Mako Murtić, with which she has recorded three studio albums and performed
- [Promising #4](https://vntheatre.com/projekti/obetavno/obetavno-4/) - Vid V. Vodušek • Loup Abramovici • Tomaž Grom Potential of content: Vid V. Vodušek Dr Vid V. Vodušek is a psychologist. He works at the Ljubljana Psychiatric Clinic in the field of gerontopsychiatry. He is active in the fields of diagnosis, therapy and education, especially in the areas of autism, dementia and psychosis. He
- [Promising #3](https://vntheatre.com/projekti/obetavno/obetavno-3/) - Janez Janša • Loup Abramovici • Tomaž Grom Potential of content: Janez Janša Janez Janša is a director and performer of interdisciplinary projects. He is the author and co-author of numerous stage, interdisciplinary, conceptual and visual works that have been presented in major European and American venues. From 1998 to 2006 he was the editor
- [Promising #2](https://vntheatre.com/projekti/obetavno/obetavno-2/) - Eduardo Raon • Loup Abramovici • Tomaž Grom The potential of content: Eduardo Raon Eduardo Raon is a Portuguese classically trained harpist, composer and sound designer based in Ljubljana. He creates contemporary and improvised music, drawing from ethno, noise, pop, retro, rock, ambient and electronic music. He collaborates with many musicians and bands. He creates
- [Promising #1](https://vntheatre.com/projekti/obetavno/obetavno-1/) - Katarina Stegnar • Loup Abramovici • Tomaž Grom The potential of content: Katarina Stegnar Katarina Stegnar is an actress, performer, mover, researcher and creator who has been active on the Slovenian theatre scene since 1999. Her creativity has had a major influence on the independent scene - she was an active creator of the Via
- [Promising](https://vntheatre.com/projekti/obetavno/) - 2016 - 2017 • Loup Abramovici The potential of an artistic event Promising is a cycle of ten potential situations with ten different guests in ten different venues. Each situation is shaped by the space with its potential of context, Loup Abramovici as the potential of movement, Tomaž Grom as the potential of sound and
- [One More Warrior Every Day](https://vntheatre.com/projekti/vsak-dan-en-bojevnik-vec/) - Bojan Jablanovec • DDT students A performance for 15 students and a newspaper published on the day of the performance Fifteen students struggle to make sense of headlines from the daily newspaper about the day's politics, sports results, natural disasters, sex scandals, traffic accidents, world stock markets, etc. As they run up the ramp shouting
- [Naked Life](https://vntheatre.com/projekti/golo-zivljenje/) - Olja Grubić A living being in a living world Six naked female bodies are situated in space, looking for their place among the audience. The performers, in different positions, grate "phallic" vegetables on their crotches: carrots, zucchini and cucumbers. Masturbation as a household practice. Naked Life is a performance that glides through the questioning of
- [Merry-Go-Round](https://vntheatre.com/projekti/ringlspil/) - Sara Horžen • Varja Hrvatin Horse, elephant, monkey, cow, pig, squirrel Words have no meaning in themselves until they are swallowed up in verbal play. Turning words up, down, left, right in an endless whirl between public and private creates a carousel of (un)acceptable, (un)correct, (un)problematic expressions. Populism transforms the culture of violence into a
- [La Isla Bonita On Demand](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonita-na-zahtevo/) - Varja Hrvatin Reality Hype Welcome to La isla bonita, where four contestants are still struggling to achieve the real Bonita experience. Hype is not just about fun and games, it is also about strategy and manipulation. Bonita is a community, a fashion, a concept, a mentality, an island, a lifestyle. You are invited to race
- [Together](https://vntheatre.com/projekti/nerazresljivo/skupaj/) - Leja Jurišić • Marko Mandić Being together. An irresolvable problem for politics, an eternal ideal for performance. “Touch always requires two,” says Mladen Dolar (Touching Ground, Filozofski vestnik, no. 2-2008). And the two must be close, physically within range of each other, present in the same space and at the same time. If we think
- [The Ninth](https://vntheatre.com/projekti/nerazresljivo/deveta/) - Anita Wach • Bojan Jablanovec • Gregor Zorc • Jaka Lah • Loup Abramovici • Magdalena Tuka “The attempt to tame human has failed.” (Peter Sloterdijk) From absolutism to socialism … From defeatism to optimism … From populism to vulgarism … From humanism to barbarism. The ninth is the anthropological machine powered by Beethoven. On
- [The Brake](https://vntheatre.com/projekti/nerazresljivo/bremza/) - Rok Kravanja “Born to be a pussy, raised to be a pussy.” (Rok Kravanja) A rollerskating story in which freedom becomes an increasingly elusive illusion. "If I am what I think I am - a free being - then why am I still here where I am? Why don't I pack up and go? Why
- [Shame](https://vntheatre.com/projekti/nerazresljivo/sramota/) - Anita Wach • Bojan Jablanovec • Darko Japelj • Gregor Zorc • Katarina Stegnar • Magdalena Tuka • Marie-Louise Stentebjerg Travesty of fictional identities We have created and hidden behind a numerous of fictional, biographical, fairytale, allegorical and absurd roles. Modern media culture demands that we should be open, that we should express our feelings,
- [Oops](https://vntheatre.com/projekti/nerazresljivo/ups/) - Anita Wach • Bojan Jablanovec Mechanism of the mistake Ops deals with the mechanism of a mistake, which works like a loop that chains together one and the same mistake - to correct the mistake. The "enlightened mind" is stuck in the court of Louis XIV and cynically condemns any attempt at a solution to
- [On the Right Track](https://vntheatre.com/projekti/nerazresljivo/korak-v-pravo-smer/) - Gregor Zorc • Vito Weis Either you're in the game or you don't exist The band has split up, but there has to be a gig. The backing vocalists recognise their chance to step to the fore. They have the talent, they have the guts and they have the greatest hits programme. Even though there
- [Manipulations](https://vntheatre.com/projekti/nerazresljivo/manipulacije/) - Bojan Jablanovec • Borisz Kucsov • Csaba Formanek • Esztella Levko • Etelka Magyari • Gábor Mészáros • Kriszta Szorcsik • Zsolt Imre Mátyás There are no innocent victims in this game Manipulation begins with a simple question: why? Why are we putting on this show? Is this a performance the audience can trust? Is
- [Last Rehearsal for a Generation](https://vntheatre.com/projekti/nerazresljivo/generalka-za-generacijo/) - Bojan Jablanovec • Gregor Zorc • Katarina Stegnar • Marko Mandić More barbarism and less culture! The actors of the National Theatre appear as roles and the performers of Via Negativa as their authors. The performance enacts the powerlessness of the role to represent the author and the powerlessness of the author to embody his
- [Just the Beginning](https://vntheatre.com/projekti/nerazresljivo/to-je-sele-zacetek/) - Anita Wach • Bojan Jablanovec • Boris Kadin • Gregor Zorc • Katarina Stegnar • Lada Petrovski Ternovšek • Loup Abramovici • Vito Weis Endurance of the voting body The performance questions the role that all citizens play in a democratic system, the role of the voting body. We vote for what the system offers
- [And So On And So Forth](https://vntheatre.com/projekti/nerazresljivo/in-tako-dalje-in-tako-naprej/) - Anita Wach • Anna Krzystek • Bojan Jablanovec • Gregor Zorc • Magnus Logi Kristinsson • Rok Kravanja • Timo Fredriksson Everything is always ending. Nothing really ends. Passengers falling from downed planes, a torpedo accelerating towards the emigrant ship, the last penguin standing on the last patch of ice … And so on and so
- [365 Falls](https://vntheatre.com/projekti/nerazresljivo/365-padcev/) - Anita Wach • Bojan Jablanovec • Gregor Zorc • Kristina Aleksova • Loup Abramovici • Nataša Živković • Vito Weis Gravity still holds us together The Big Slip can happen at any time. Financial, environmental, nuclear, cosmic … We are on constant alert. Busy with balance. Personal, local, national, global. But gravity still holds us
- [Irresolvable](https://vntheatre.com/projekti/nerazresljivo/) - 2011 - 2022 • Performance cycle The ideological production of meaning In 2011, Via Negativa launches a new cycle of performances entitled Irresolvable, which shifts its creative interest from radical subjectivisation (as in previous critiques of the post-industrial neoliberal subject) to the collective, which still represents the utopian ideal of any ideology. The study of
- [For-Fathers-Sake](https://vntheatre.com/projekti/zavoljooceta/) - Nataša Živković The man who taught me how to tie my shoes Why? I do it for my father's sake. Who is he? The man who taught me how to tie my shoes. His name is Vukosav Živković. An engineer at Litostroj who retired when I was thirteen. President of the Litostroj Wind Orchestra, for
- [Fertile Soil](https://vntheatre.com/projekti/extima/rodovitna-prst/) - Olja Grubić Lettuce and blood Timothy Morton says that the image and concept of nature itself is one of the main obstacles to thinking about the environment. Over the centuries, this concept has developed in the human mind an illusion of opposition and separation between the biosphere and human civilisation. Admiring nature from a distance
- [Dodgeball](https://vntheatre.com/projekti/med-dvema-ognjema/) - Nataša Živković Family breakdown The final part of the trilogy, depicting the family constellations of daughter-mother, daughter-father and daughter (as mother)-child. After the performances For-Fathers-Sake and Prva ljubezen, drugič (Preboleti Naceta Junkarja), this time the author is in the role of a mother, (former) partner and artist. Dodgeball is a personal story, a monologue of
- [Castration](https://vntheatre.com/projekti/kastracija/) - Glass Illka Obscene media game Obscenity has a direct connotation with theatre. It literally means that we are confronted with something that should remain off-stage and hidden from our eyes. If we locate this game in the political realm, obscenity enters into a direct relationship with political correctness, but at the same time a certain
- [Casablanca Therapy](https://vntheatre.com/projekti/terapija-casablanca/) - Anita Wach • Bojan Jablanovec • Emma-Cecilia Ajanki • Gregor Zorc • Magdalena Tuka • Marie-Luise Stentebjerg Love as misunderstanding Stories about the victims of the consumerist ideology of love, about bizarre and absurd forms of self-indulgence and about escaping from new disappointments. The performance, full of sweet romantic songs and love clichés, uses the
- [Wrestling With Ghosts](https://vntheatre.com/projekti/30-stavkov/boj-z-duhovi/) - Anita Wach “Victims suggest innocence. And innocence suggests guilt.” Susan Sontag26th sentence of the 30 Movements cycle The performance focuses on the skin as a carrier of a story. Through a single gesture, Anita will attempt to outline dozens of micro stories about intention and possible outcome of touch. Every single trace reconstructs evidence of
- [Voting Body](https://vntheatre.com/projekti/30-stavkov/volilno-telo/) - Anita Wach “The spirit of democracy cannot be superimposed from the outside. It must come from within.” Mahatma Gandhi14th sentence of the 30 Movements cycle We vote against. We vote for the lesser of two evils. We vote for exclusion. Democracy as the "best possible political system" has acquired the status of dogma: elections have
- [Tradition](https://vntheatre.com/projekti/30-stavkov/tradicija/) - Anita Wach “Women’s mutual understanding comes from the fact that they identify themselves with each other; but for the same reason each is against the others.” Simone de Beauvoir9th sentence of the 30 Movements cycle A group of women forms a multicultural organism that transmits the ethos of community and cultivates cultural identity. They recreate
- [Three Lives](https://vntheatre.com/projekti/30-stavkov/tri-zivljenja/) - Anita Wach “Art and nature, art in nature, share a common structure: that of excessive and useless production—production for its own sake, production for the sake of profusion and differentiation.” Elizabeth Grosz2nd sentence of the 30 Movements cycle Three autonomous life forms - two with the ability to move, one with the ability to produce
- [Reactor](https://vntheatre.com/projekti/30-stavkov/reaktor/) - Anita Wach • Beno Novak • DHectix “In the long history of humankind those who learned to collaborate and improvise most effectively have prevailed.” Charles Darwin24th sentence of the 30 Movements cycle Dancers and musicians explore the nature of improvisation as an energy-producing machine, a fuel for communication and relation. Performers treat the stage as
- [No Pain, No Gain](https://vntheatre.com/projekti/30-stavkov/brez-bolecine-ni-dobicka/) - Anita Wach • Kristina Aleksova “The magnitude of progress is gauged by the greatness of the sacrifice that it requires.” Friedrich Nietzsche27th sentence of the 30 Movements cycle Wealth thrives on the illusion that sacrifice and pain are necessary for growth. However, victims have lost their sacred status. Today we are all victims and we
- [Let's Talk About Nina](https://vntheatre.com/projekti/30-stavkov/pogovorimo-se-o-nini/) - Anita Wach “An artist is someone who does nothing more than cultivate own image.” Boris Groys15th sentence of the 30 Movements cycle Nina is a contemporary artist, one of many. She understands the power of norms, regimes and structures by which she stands or falls. She creates a network that nurtures her career. She is
- [Left Centre Right](https://vntheatre.com/projekti/30-stavkov/levica-sredica-desnica/) - Anita Wach “Let not your left hand know what the right hand does.” The Bible7th sentence of the 30 Movements cycle Between left and right, between right and wrong, between ideology and dogma, there is always a living body. The body stands between words, notions, concepts, trying to break the asymmetrical structure of the semiosphere.
- [How to Explain a Monument to a Herd of Hares](https://vntheatre.com/projekti/30-stavkov/kako-zajcem-razloziti-spomenik/) - Anita Wach • Magdalena Tuka “The hare really enacts – something a human can only do in imagination. It burrows, building itself a home in the earth.” Joseph Beuys5th sentence of the 30 Movement cycle The hare is a symbol of fertility and vitality, as well as rebirth, resurrection and self-sacrifice. On the day of
- [Horrifying Statistics](https://vntheatre.com/projekti/30-stavkov/grozljiva-statistika/) - Anita Wach “Wherever people feel safe, they will be indifferent.” Susan Sontag21st sentence of the 30 Movements cycle Performance as an exercise in empathy. Compassion is a dying emotion, the more horrifying the facts, the less emotional involvement. The process of evakening empathy is long and requires a lot of tenderness and patience. In the
- [Happy Birthday](https://vntheatre.com/projekti/30-stavkov/vse-najboljse/) - Anita Wach “Beautiful young people are accidents of nature, but beautiful old people are works of art.” Eleanor Roosevelt23rd sentence of the 30 Movements cycle Anita celebrates her birthday, which she dedicates to one of the 8,000,000,000,000 people on the planet. Her life, her experiences, her reflections and her insights into reality are only a
- [Freedom Leads the People](https://vntheatre.com/projekti/30-stavkov/auto/) - Anita Wach “Necessity is blind until it becomes conscious. Freedom is the consciousness of necessity.” Karl Marx11th sentence of the 30 Movements cycle On the concept of freedom as a political and social necessity. The word "freedom" has been used for centuries by statesmen, politicians, economists, activists, artists, priests and many other "experts" to convince
- [Final Solution](https://vntheatre.com/projekti/30-stavkov/koncna-resitev/) - Anita Wach • Bojan Jablanovec The conflict between art and politics cannot and must not be solved” Hannah Arendt25th sentence of the 30 Movements cycle 8 hours of humble work to defy the regime of ideological subjugation. The performer believes that through patience and perseverance, step by step, movement by movement, letter by letter, art
- [Balance](https://vntheatre.com/projekti/30-stavkov/ravnovesje/) - Anita Wach • Bojan Jablanovec “I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds.” Friedrich Nietzsche6th sentence of the 30 Movements The world oscillates between knowledge and ignorance, rationality and emotion, nature
- [Physis](https://vntheatre.com/projekti/nerazresljivo/physis/) - Anita Wach • Bojan Jablanovec “A state? What is that? The state, I call it, where the slow suicide of all - is called life. For the superfluous ones was the state devised! There, where the state ceases - there only commences the man who is not superfluous.” (Friedrich Nietzsche) Physis is the collective organism
- [Physis](https://vntheatre.com/projekti/nerazresljivo/physis/) - Anita Wach • Bojan Jablanovec “Država? Kaj je to? Država pravim temu, kjer se počasni samomor vseh - imenuje življenje. Za odvečne je bila iznajdena država! Tam, kjer se neha država, se šele začne človek.” (Friedrich Nietzsche) Physis je kolektivni organizem, znotraj katerega poteka spopad med telesom/naravo in razumom/idejo. Telo je večno torišče ideološke manipulacije, instrumentalizacije
- [VN20](https://vntheatre.com/projekti/vn20/) - 2023 - 2024 • Performance and installation cycle Construct, fabrication, fake With VN20, Via Negativa performs a gesture of reinscribing memory in its own record of the past. The artists who have co-created the past of the VN platform install and archive themselves anew each month in MSUM - the space of institutionalised memory. VN20
- [La isla bonita](https://vntheatre.com/projekti/la-isla-bonita/) - 2022 - 2023 • Varja Hrvatin Production of hype La isla bonita is a cycle of five site-specific experiments that focus on the question of hype* and the different strategies for its production. In terms of content, La isla bonita is based on the constant challenges and pressures of (re)creating content and its potential for
- [Poljub](https://vntheatre.com/projekti/poljub/) - Kristina Aleksova “A kiss is just a kiss” Tako pravi znani napev.Toda poljub je več kot le srečanje ustnic.As time goes by.Poljub je tvegan.Poljub je nevaren.Poljub je smrtna obsodba. Poljub 2022Plesni performans • 40 min Zamisel — Kristina AleksovaSnovanje in izvedba — Loup Abramovici, Tomaž Grom, Kristina AleksovaGlasba — Tomaž GromOblikovanje svetlobe — Špela ŠkuljProducentka
- [Med dvema ognjema](https://vntheatre.com/projekti/med-dvema-ognjema/) - Nataša Živković Razpad družine Sklepni del trilogije, ki uprizarja družinske konstelacije hči – mati, hči – oče in hči (v vlogi matere) – otrok. Po performansih Zavoljoočeta in Prva ljubezen, drugič (Preboleti Naceta Junkarja) je avtorica tokrat v vlogi matere, (nekdanje) partnerke in umetnice. Med dvema ognjema je osebna zgodba, monolog ženske, razcepljen na dva
- [Moje telo, moja kletka](https://vntheatre.com/projekti/moje-telo-moja-kletka/) - Anja Novak • Tomaž Grom Iz sebe delam umetnost (Anja Novak) Moje telo. Moja kletka, steznik, opora, varnost, zapor, zaščita. Jaz kletka, jaz ujetnica, jaz inštrument. Zvenim, ko udari Grom. Iz sebe delam kar hočem. Iz sebe delam kar nočem. Iz sebe delam umetnost. Če mi uspe preživet. Morda je to edini način. Marina pravi: Art
- [Carte Blanche](https://vntheatre.com/projekti/sift/carte-blanche/) - Mary Anne Blanche • Tomaž Grom Freedom of Work “Freedom of work shall be guaranteed. Everyone shall choose his employment freely. Everyone shall have access under equal conditions to any position of employment. Forced labour shall be prohibited.” (Constitution of the Republic of Slovenia, Article 49) Given the constitutionally guaranteed freedom of work and the
- [*oly *ary](https://vntheatre.com/projekti/arija-omagaj/) - Rok Kravanja I *egret, I deeply *egret (Rok Kravanja) I confess to Almighty God and to you, brothers and sisters, that I have sinned in thought, word and deed. I *egret, I deeply *egret. Therefore I beseech the Holy Virgin Mary, all the angels and saints, and you also, beseech God, my heavenly Father, for
- [*arija *omagaj](https://vntheatre.com/projekti/arija-omagaj/) - Rok Kravanja *al mi je, zelo mi je *al (Rok Kravanja) Vsemogočnemu Bogu in vam, bratje in sestre, priznam, da sem grešil v mislih, besedah in dejanju, mnogo dobrega opustil in slabega storil. *al mi je, zelo mi je *al. Zato prosim sveto Devico Marijo, vse angele in svetnike in tudi vas, prosite zame Boga,
- [Keemo](https://vntheatre.com/projekti/sift/keemo/) - Tomaž Grom with guests "My favourite pet is a cancer" (Keemo) Already in 1999, respondents to the Slovenian Public Opinion Survey placed health at the top of the list of values (ahead of family, work, homeland, religion…) In the 1998 survey by the Centre for Social Psychology, 93% of 8th grade students in Slovenian primary
- [Sorry](https://vntheatre.com/projekti/nerazresljivo/sorry/) - Anita Wach • Gregor Zorc • Andrej Fon Parasitism as a survival strategy The performers start from scratch, create actions, search for a mental breakthrough and take the audience through the performative ups and downs of the creative process. Sorry is a collection of physical manifestations and mental articulations on a theme inspired by French
- [Sorry](https://vntheatre.com/projekti/nerazresljivo/sorry/) - Anita Wach • Gregor Zorc • Andrej Fon Parazitizem kot strategija preživetja Izvajalci začenjajo iz ničle, kreirajo akcije, iščejo miselni preboj in občinstvo popeljejo skozi performativne vzpone in padce kreativnega procesa. Sorry je zbirka telesnih manifestacij in miselnih artikulacij na temo, ki jo je navdihnila knjiga Parazit francoskega filozofa Michela Serresa in njegova teza, da
- [Skupaj](https://vntheatre.com/projekti/nerazresljivo/skupaj/) - Leja Jurišić • Marko Mandić Biti skupaj. Za politiko nerazrešljiva težava, za performans večni ideal. “Za dotik morata obstajati dva”, pravi Mladen Dolar (Touching Ground, Filozofski vestnik, št. 2-2008). In biti morata skupaj, fizično na dosegu, prisotna v istem prostoru in času. Če bi o tem, kaj pomeni biti skupaj, razmišljali samo skozi dotik, potem
- [Manipulacije](https://vntheatre.com/projekti/nerazresljivo/manipulacije/) - Bojan Jablanovec • Borisz Kucsov • Csaba Formanek • Esztella Levko • Etelka Magyari • Gábor Mészáros • Kriszta Szorcsik • Zsolt Imre Mátyás V tej igri ni nedolžnih žrtev Manipulacije se začnejo s preprostim vprašanjem: Zakaj? Zakaj se gremo to predstavo? Je to predstava, ki ji gledalec lahko zaupa? Je umetnik na odru veden
- [In tako dalje in tako naprej](https://vntheatre.com/projekti/nerazresljivo/in-tako-dalje-in-tako-naprej/) - Anita Wach • Anna Krzystek • Bojan Jablanovec • Gregor Zorc • Magnus Logi Kristinsson • Rok Kravanja • Timo Fredriksson Vse se končuje, toda nič se ne konča Potniki padajo iz sestreljenih letal, torpedo pospešuje proti ladnji emigrantov, zadnji pingvin stoji na zadnji zaplati ledu ... In tako dalje in tako naprej. Fraza, ki nakazuje,
- [Generalka za generacijo](https://vntheatre.com/projekti/nerazresljivo/generalka-za-generacijo/) - Bojan Jablanovec • Gregor Zorc • Katarina Stegnar • Marko Mandić Več barbarstva in manj kulture! Igralci Drame SNG Ljubljana nastopajo kot vloge, performerji Vie Negative pa kot njihovi avtorji. Performans uprizarja nemoč vloge, da bi reprezentirala avtorja in nemoč avtorja, da bi poosebil lastno idejo. Čeprav SNG Drama in Via Negativa delujeta na povsem različnih
- [Bremza](https://vntheatre.com/projekti/nerazresljivo/bremza/) - Rok Kravanja “Iz pičke rojen, za pičko vzgojen” (Rok Kravanja) Zgodba o rolanju, v kateri svoboda postaja vse bolj nedosegljiva iluzija. “Če sem, kar mislim, da sem – svobodno bitje – zakaj sem potem še zmeraj tukaj, kjer sem? Zakaj ne spakiram in grem? Zakaj zmeraj najdem dovolj razlogov, da nečesa ne storim? Zakaj imam
- [Korak v pravo smer](https://vntheatre.com/projekti/nerazresljivo/korak-v-pravo-smer/) - Gregor Zorc • Vito Weis Ali si v igri ali te pa ni Band je razpadel, toda koncert mora biti. Spremljevalna vokalista prepoznata svojo priložnost, da stopita v ospredje. Imata talent, imata pogum in imata “the greatest hits” program. Čeprav ni več ničesar, kar bi lahko spremljala, vokalista stopita na prazen oder in svoj program
- [To je šele začetek](https://vntheatre.com/projekti/nerazresljivo/to-je-sele-zacetek/) - Anita Wach • Bojan Jablanovec • Boris Kadin • Gregor Zorc • Katarina Stegnar • Lada Petrovski Ternovšek • Loup Abramovici • Vito Weis Vzdržljivost volilnega telesa Performans problematizira vlogo, ki jo v demokratičnem sistemu igramo vsi državljani, vlogo volilnega telesa. Volimo, kar nam sistem ponudi v izbiro. Tudi če ne izbereš ničesar, si izbral.
- [Ups](https://vntheatre.com/projekti/nerazresljivo/ups/) - Anita Wach • Bojan Jablanovec Mehanizem napake Ups se ukvarja z mehanizmom napake, ki deluje kot zanka veriženja ene in iste napake - da bi popravili napako. “Razsvetljeni um” je obtičal na dvoru Ludvika XIV in vsak poskus rešitve že vnaprej cinično obsoja na propad. Ups poteka v »dialogu« med izvajalko in odrom, ki komunicira
- [Sramota](https://vntheatre.com/projekti/nerazresljivo/sramota/) - Anita Wach • Bojan Jablanovec • Darko Japelj • Gregor Zorc • Katarina Stegnar • Magdalena Tuka • Marie-Louise Stentebjerg Travestija fiktivnih identet Ustvarili smo številne fiktivne, biografske, pravljične, alegorijske in absurdne vloge in se skrili za njimi. Sodobna medijska kultura zahteva, da smo odprti, da izražamo svoja čustva, da smo kritični in zabavni… Bodi kar
- [Retrospektiva 2002-2012](https://vntheatre.com/projekti/retrospektiva-vn-2002-2012/) - Video instalacija Bolj ko je vse vidno, manj vidimo 10 let Via Negative Eksces, kot ena izmed izvedbenih strategij, je močno zaznamoval prvo desetletje VN. Transgresivna dejanja, golota, provokacija, šok itd pa nikoli niso bila poceni sredstva za zbujanje medijske pozornosti, temveč premišljene strategije, s katerimi razpiramo vpogled v paradoksen položaj, ki ga ustvarjalci in
- [30 Movements](https://vntheatre.com/projekti/30-stavkov/) - 2022 - 2024 • Anita Wach Performer - a fool on the playground of reality 30 Movements is a series of performative responses to a series of public events that shape and define conventional reality. Created over the course of two years, the performative gestures are the result of an effort to clearly present ideas
- [Via Negativa](https://vntheatre.com/projekti/via-negativa/) - Platform for research, education and production of contemporary performance art Transgressive performance practices Via Negativa is a platform open to all artists working on the fringes of various performance practices, crossing their boundaries and reintegrating them into a field of unexpected, unmarked and unconventional artistic formats. VN productions are mostly conceived in the Via Negativa
- [Via Nova](https://vntheatre.com/projekti/via-nova/) - 2009 - 2011 • Performance cycle The paradox of the new Via Nova is a cycle of small-scale performances, mostly solos or duos, presented alone or in the context of group presentations. Via Nova reflects on the production of VN through the relations between creation and destruction, theory and practice, copy and original, presence and
- [Mandić? What the fuck is Mandić?](https://vntheatre.com/projekti/via-nova/mandic-what-the-fuck-is-mandic/) - Marin Blažević, Marko Mandić, Anna Teresa Scheer, Nicolas Salazar-Sutil The art of the liveness and the digitisation of presence Why are we, performance artists – live artists – more and more obsessed with digital technology and its possibilities to archive, reproduce, transmit, multiply, network etc.? Is it mainly because that is the only way we
- [Mandić? What the fuck is Mandić?](https://vntheatre.com/projekti/via-nova/mandic-what-the-fuck-is-mandic/) - Marin Blažević, Marko Mandić, Anna Teresa Scheer, Nicolas Salazar-Sutil Umetnost živega in digitalizacija prisotnosti Zakaj smo tudi mi, scenski umetniki – umetniki živega – zmeraj bolj obsedeni s tehnologijo digitalizacije in njenimi možnostmi shranjevanja, predvajanja, prenašanja, množenja, mreženja itd? Ker je to edini način, da ohranimo sledi našega minljivega objekta raziskovanja in mu zagotovimo prisotnost
- [Via MKC Split](https://vntheatre.com/projekti/via-nova/via-mkc-split/) - Collective presentation The agony of the body without an idea and the impotence of the idea without a body A fascinating 23.5 m high concrete stage with an amphitheatre for 650 spectators was the main trigger for this group performance. This is the architectural core of the megalomaniacal building of the Youth Home in Split,
- [Via New Territories](https://vntheatre.com/projekti/via-nova/via-new-territories/) - Collective presentation This is Performance art - Europe Nine performances at the Scottish live art festival New Territories Glasgow, as part of the programme "This is Performance art - Europe." The 9-hour programme, in three chapters, explores the three fundamental fields of VN creative practice: thought, presence and relationship. Via New Territories 2011 • Via
- [Ja Ja Ja Nee Nee Nee](https://vntheatre.com/projekti/via-nova/ja-ja-ja-nee-nee-nee/) - Collective presentation Negation as affirmation and affirmation as discrimination Four performances from the Via Nova series. The title of the presentation originates from Joseph Beuys' work Ja Ja Ja Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee Nee Nee, which he performed on 14 December 1968 at the Staatliche Kunstakademie Düsseldorf. “In his essay How
- [Ja Ja Ja Nee Nee Nee](https://vntheatre.com/projekti/via-nova/ja-ja-ja-nee-nee-nee/) - Skupinska predstavitev Negacija kot afirmacija in afirmacija kot diskriminicija Štirje performansi iz cikla Via Nova. Naslov predstavitve izvira iz dela Josepha Beuysa Ja Ja Ja Ja Ja Nee Nee Nee Nee Nee, ki ga je izvedel 14. decembra 1968 v Staatliche Kunstakademie Düsseldorf. “V eseju Kako je bilo delo ustvarjeno Stüttgen poroča o srečanju z
- [Via MSU Zagreb](https://vntheatre.com/projekti/via-nova/via-msu-zagreb/) - Collective presentation Transformation of a live performance into a museum document The VN enters the MSU museum collection as a story in which it interacts with all of its thematic strands: the Project and Destiny, Art as Life, Art about Art, The Great Enigma of the World, Words and Pictures. In this context, we refer
- [Invalid](https://vntheatre.com/projekti/via-nova/invalid/) - Primož Bezjak A handicapped system can only exist with handicapped people “28 September 1990, Maribor General Hospital. A stone rolled on Pohorje and hit him in the left knee”. Thus begins the story of Primož's knee injury, with extensive diagnostic and therapeutic documentation, which has not yet come to an end. Today, Primož is still
- [Tonight I Celebrate](https://vntheatre.com/projekti/via-nova/tonight-i-celebrate/) - Uroš Kaurin • Tomaž Grom On the depth and shallowness of the relationship between performer and audience The title song "Tonight I Celebrate My Love" is the introduction to eight pop songs in which singer and performer Uroš Kaurin, accompanied by Tomaž Grom on double bass, declares his love for the audience: “Dear audience. I
- [Viva Mandić](https://vntheatre.com/projekti/via-nova/viva-mandic/) - Marko Mandić Three presences: public, intimate and physical The public and intimate presence of Marko Mandić can be experienced on two video screens. The first video "Mandić" summarises his theatre roles from the beginning of his career until he received the Prešeren Award for Artistic Achievement (2009). The second video "Marko" reveals his secret artistic
- [Via Nova Museum](https://vntheatre.com/projekti/via-nova/via-nova-museum/) - Collective presentation Performance as a process of artefact creation A process of dismantling the old (the disassembly of the Vie Negative performances) and installing the new (the Via Nova Museum exhibitions). Eleven performers perform twenty situations from the Seven Deadly Sins performance cycle. Their actions have a common goal: to create twenty artefacts and to
- [Rectum](https://vntheatre.com/projekti/30-stavkov/rectum/) - Anita Wach “I am a citizen of this world.” Diogen of Sinope1st sentence of the 30 Movements cycle The body as a filter for processing the norms of civilisation. Solidarity, compassion, responsibility, equality, trust, humanity - all these concepts have their own weight, mass and consistency. Every body, big or small, strong or weak, has
- [Fuck Them All](https://vntheatre.com/projekti/30-stavkov/fuck-them-all/) - Anita Wach “The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.” Martin Buber3rd sentence of the 30 Movements cycle A couple – the most iconic and most banal representation of a relationship. It forms a closed semiosphere built on principles of reciprocation, complementation and mirroring. The distance
- [Nessun dorma](https://vntheatre.com/projekti/30-stavkov/nessun-dorma/) - Anita Wach “The freedom of all is essential to my freedom.” Mihail Bakunin4th sentence of the 30 Movements cycle Our spirits must be lifted, even when circumstances are not promising for the future. Let us revive the euphoria of freedom from revolutionary times, when the future was full of promise and glory. Give your own
- [Nessun dorma](https://vntheatre.com/projekti/30-stavkov/nessun-dorma/) - Anita Wach “Svoboda vseh je bistvena za mojo svobodo.” Mihail Bakunin4. stavek cikla 30 stavkov Naše razpoloženje je treba dvigniti, tudi če okoliščine niso obetavne za prihodnost. Oživimo evforijo svobode iz revolucionarnih časov, ko je bila prihodnost polna obljub in slave. Dajte poln zagon svojemu zasebnemu revolucionarnemu trenutku. Bodite del našega kolektivnega čustvenega presežka. Ni
- [Out](https://vntheatre.com/projekti/sedem-smrtnih-grehov/out/) - Bojan Jablanovec • Boris Kadin • Gregor Zorc • Darko Japelj • Katarina Stegnar • Kristian Al Droubi • Nataša Živković • Petra Zanki • Rok Matek • Sanela Milošević • Uroš Kaurin The pride between viewer and performer Out is a game with the anticipations of the performer and the expectations of the audience. The performance
- [We, the Perverts](https://vntheatre.com/projekti/30-stavkov/we-the-perverts/) - Anita Wach “If people could see the inside of my brain, I would go to prison” Camille Paglia12th sentence of the 30 Movements cycle The time has come. Freedom has arrived. We now have the opportunity to speak. To express our love to anyone who is willing to listen to us. Now we can do
- [Veto](https://vntheatre.com/projekti/30-stavkov/veto/) - Anita Wach “My hands seemed arrested by a silent veto.” Winston Churchill13th sentence of the 30 Movements cycle A woman under pressure. A human under attack. A person under surveillance. There is a need for a self-defence strategy. Self-defence from social, financial and ideological expectations. We are obliged to be wired, connected, plugged. We need
- [Viva Verdi](https://vntheatre.com/projekti/sedem-smrtnih-grehov/viva-verdi/) - Barbara Kukovec • Barbara Matijević • Bojan Jablanovec • Dylan Tighe • Gregor Zorc • Katarina Stegnar • Kristian Al Droubi • Marko Mandić • Petra Govc • Petra Zanki • Sanela Milošević This is not a performance. This is a protest! It is about the sense of creating what nobody needs, and about the
- [National Body Art](https://vntheatre.com/projekti/30-stavkov/national-body-art/) - Anita Wach • Magdalena Tuka “I and the motherland are one. My name is Million, because for millions do I love and suffer agonies.” Adam Mickiewicz18th sentence of the 30 Movements cycle National Body Art - it's me and my almost suppressed space. I'm from Poland, I'm from Croatia, I'm from Slovenia. Today I'm giving myself
- [Xmas](https://vntheatre.com/projekti/30-stavkov/xmas/) - Anita Wach • Olja Grubić “For me, trees have always been the most penetrating preachers.” Herman Hesse19th sentence of the 30 Movements cycle No presents under the tree this year.No Christmas tree this year.The Christmas tree has returned to nature. XmasChristmas card Concept — Anita WachDrawing — Olja GrubićProducer — Špela TroštProduction — Via Negativa Published25-12-2022,
- [Iz krajov niso, ki v njih sonce sije](https://vntheatre.com/projekti/30-stavkov/iz-krajov-niso-ki-v-njih-sonce-sije/) - Anita Wach “The limits of my language mean the limits of my world.” Ludwig Wittgenstein22nd sentence of the 30 Movements cycle On 8 February (Slovenian cultural holiday), two foreigners read from Prešeren - the greatest Slovenian poet, the father of national consciousness and a doomed romantic. It is a day dedicated to the celebration of
- [Incasso](https://vntheatre.com/projekti/sedem-smrtnih-grehov/incasso/) - Bojan Jablanovec • Gregor Zorc • Jaka Lah • Katarina Stegnar • Kristian Al Droubi • Mateja Pucko • Matej Recer • Petra Govc • Sanela Milošević You know exactly what you want for your money Incasso stops the established circulation of money as a medium of exchange. In the performance, the money with which
- [Starting Point Anger](https://vntheatre.com/projekti/sedem-smrtnih-grehov/izhodiscna-tocka-jeza/) - Bojan Jablanovec • Gaber Kristjan Trseglav • Gregor Zorc • Iva Babić • Marko Mandić • Nana Milčinski • Petra Govc • Primož Bezjak Performer as gallery exhibit The Starting Point Anger is the first derivation of the Via Negativa research. It consists of six solo performances lasting between 12 and 17 minutes. The performances take place
- [Via Negativa](https://vntheatre.com/projekti/via-negativa/) - Platforma za raziskavo, izobraževanje in produkcijo sodobne izvedbene umetnosti Robne izvedbene prakse Via Negativa je platforma odprta za vse ustvarjalce, ki hodijo po robu raznorodnih izvedbenih praks, prestopajo njihove meje in jih znova integrirajo v polju nepričakovanega, nezaznamovanega in nekonvencionalnega uprizarjanja. Produkcije VN so večinoma zasnovane v laboratoriju Vie Negative za sodobne izvedbene umetnosti VN
- [VN20](https://vntheatre.com/projekti/vn20/) - 2023 - 2024 • Cikel performansov in instalacij To je konstrukt, to je montaža, to je fake S projektom VN20 Via Negativa vrši gesto ponovnega vpisa spomina v lastni zapis preteklosti. Ustvarjalke in ustvajalci, ki so s svojim delovanjem v platformi VN soustvarjali njeno preteklost, se s svojimi performasi vsak mesec na novo inštalirajo in
- [30 stavkov](https://vntheatre.com/projekti/30-stavkov/) - 2022 - 2024 • Anita Wach Performer - burkež na igrišču resničnosti 30 stavkov je cikel performativnih odzivov na številne javne dogodke, ki formirajo in oblikujejo konvencijo resničnosti. Performativne geste, ki so nastale v dveh letih, so rezultat prizadevanj za jasno prezentacijo idej v kontekstu družbeno-političnega dogajanja in sledijo logiki, ki na prvo mesto postavlja
- [Nerazrešljivo](https://vntheatre.com/projekti/nerazresljivo/) - 2011 - 2022 • Cikel performansov Ideološka produkcija smisla Leta 2011 Via Negativa pod skupnim naslovom Nerazrešljivo trasira nov cikel performansov, s katerim svoj ustvarjalni interes premakne od radikalne subjektivizacije (kot dosedanje kritike postindustrijskega neoliberalnega subjekta) h kolektivu, ki še zmeraj predstavlja utopični ideal sleherne ideologije. Raziskava mehanizmov individualne podreditve družbeni normi se premakne na področje kolektivne
- [La isla bonita](https://vntheatre.com/projekti/la-isla-bonita/) - 2022 - 2023 • Varja Hrvatin Produkcija hajpa La isla bonita je cikel petih site-specific eksperimentov, ki v ospredje postavlja vprašanje hajpa* ter različnih strategij za njegovo vzpostavljanje. Vsebinsko se La isla bonita naslanja na nenehne izzive in pritiske (po)ustvarjanja vsebin ter njihovim potencialom za produciranje hajpa. Skozi različne strategije vmeščanja klubske glasbe v javne
- [Via Mama](https://vntheatre.com/projekti/via-mama/) - Mare Bulc Self-referential waters Fifteen years after The Last Egotistical Performance and five years after The First Altruistic Performance, theatre director Mare Bulc returns to the stage with his third project. Just as his first solo was not really egoistic and the second not altruistic, so the third one is only partially related to the initial connection between the
- [Via Mama](https://vntheatre.com/projekti/via-mama/) - Mare Bulc Samonanašalne vode Petnajst let po Zadnji egoistični predstavi in pet let po Prvi altruistični predstavi se režiser Mare Bulc vrača na oder s tretjim avtorskim projektom. Kakor prvi njegov solo ni bil zares egoističen in drugi ne altruističen, tako je tudi tretji le delno vezan na izhodiščno povezavo med platformo Via Negativa in avtorjem. Predstava Via Mama je nastala
- [Resnična zgodba](https://vntheatre.com/projekti/resnicna-zgodba/) - Jonathan Bonnici • Satya Bhabha Fikcija kot vezno tkivo resničnosti Multidisciplinarna umetnika Satya Bhabha in Jonathan Bonnici z močjo fikcije poskušata ustvariti prostor skupnega dogovora v svetu, v katerem resnica postaja vse bolj sporna. Na golem odru in obkrožena z gledalci dva performerja verižita neustavljivo serijo zgodb in vzpostavljata prožen in porozen svet pripovedi, ki
- [Golo življenje](https://vntheatre.com/projekti/golo-zivljenje/) - Olja Grubić Živo bitje v živem svetu Šest golih ženskih teles se umešča v prostor, išče svoje mesto med občinstvom in na prizorišču. Izvajalke v različnih položajih na svojih mednožjih ribajo “falično” zelenjavo: korenje, bučke in kumarice. Samozadovoljevanje kot gospodinjsko opravilo. Golo življenje je performans, ki drsi skozi preizpraševanje, kaj pomeni biti živo bitje v
- [Srce](https://vntheatre.com/projekti/srce/) - Kristina Aleksova Mišica, ki poganja vse, tudi brezsrčne Srce. Mišica. Črpalka. Organ. Simbol. Metafora. Mišica, ki poganja vse, tudi brezsrčne. Črpalka, ki se muči z navlako vsakdanjosti. Hipertrofira, popušča, fibrilira. Metafora vroča kot ogenj ali hladna kot led. Simbol, ki prenese vse, tudi življenje v kletki. Organ, ki rešuje življenja. Hrana za pse. Mišica, ki
- [Zavoljoočeta](https://vntheatre.com/projekti/zavoljooceta/) - Nataša Živković Človek, ki me je naučil, kako si zavezati čevlje Zakaj? To delam zavojo očeta. Kdo je? Človek, ki me je naučil, kako si zavezati čevlje. Njegovo ime je Vukosav Živković. Inženir Litostroja, ki se je upokojil, ko mi je bilo trinajst let. Predsednik Pihalnega orkestra Litostroj, kateremu je priskrbel nove uniforme in inštrumente.
- [Šift](https://vntheatre.com/projekti/sift/) - 2018 - 2021 • Cikel delavnic in performativnih dogodkov Zdravje. Znanje. Delo. Pravica. Šift se giblje znotraj institucij zdravstva, sociale in izobraževanja. Šift uprizarja s tistimi in za tiste, ki v teh ustanovah delajo in živijo. Šift ne izumlja. Šift evidentira evidentno. Šift zanima potencial vsakodnevnosti. Šift je izvedbeno stališče. Postavlja se tja, kjer ve, zakaj
- [Pravica prihaja](https://vntheatre.com/projekti/sift/pravica-prihaja/) - Anita Wach • Kristina Aleksova Na pol budni, na pol speči stopamo na prosto Po dolgotrajnem zaprtju zaradi covida-19 končno lahko spet jemo zunaj. Pripravili smo gostijo z obilico hrane in najboljšim vinom. Nazdravljamo farmacetom in vsem inženirjem nove realnosti, da znova lahko uživamo svobodo. Nazdravljamo državi, ki nas je podučila, da brez zdravja ni
- [Mesto užitka](https://vntheatre.com/projekti/sift/mesto-uzitka/) - Rok Kravanja Delovišča prostitucije Performer Rok Kravanja se v obdobju februar – junij 2020 postavi v vlogo odjemnika spolnih uslug na trgu homoseksualne prostitucije in z mobilnim telefonom dokumentira slovenska delovišča prostitucije. Ponudbe je pod uporabniškim imenom pleasure8 izbiral na enem izmed legalnih portalov za intimne zmenke. Projekt obsega 13 fotografij, spolne ponudbe in korespondeco
- [Keemo](https://vntheatre.com/projekti/sift/keemo/) - Tomaž Grom z gosti “Moja najbljubša domača žival je rak” (Keemo) Že leta 1999 so anketiranci v raziskavi Slovensko javno mnenje na prvo mesto vrednot postavili zdravje (pred družino, delom, domovino, vero…) V raziskavi Centra za socialno psihologijo 1998 je 93 % učencev 8. razredov slovenskih osnovnih šol vrednoti zdravja prisodilo najvišjo oceno (pred prijateljstvom,
- [Dihaj](https://vntheatre.com/projekti/sift/dihaj/) - Olja Grubić Pustimo si dihati in pustimo dihati drugim Živimo med prvim vdihom in zadnjim izdihom. Dihamo, da bi živeli. Živimo tako, kot dihamo. Dihanje dovaja kisik v možgane. Dihanje proizvaja misli. Dihanje je življenje, obstoj, misel. Skozi minimalistično akcijo instaliramo osnovno človekovo pravico do obstoja. Pustimo si dihati. Pustimo dihati drugim. 16. aprila je
- [Carte Blanche](https://vntheatre.com/projekti/sift/carte-blanche/) - Mary Anne Blanche • Tomaž Grom Svoboda dela “Zagotovljena je svoboda dela. Vsakdo prosto izbira zaposlitev. Vsakomur je pod enakimi pogoji dostopno vsako delovno mesto. Prisilno delo je prepovedano.” (49. člen ustave RS) Glede na ustavno zagotovljeno svobodo dela in na svobodo izbire poklica in pravice do dela Listine Evropske unije o temeljnih pravicah (člen
- [Deveta](https://vntheatre.com/projekti/nerazresljivo/deveta/) - Anita Wach • Bojan Jablanovec • Gregor Zorc • Jaka Lah • Loup Abramovici • Magdalena Tuka “Poskus krotitve človeka ni uspel” (Peter Sloterdijk) Od absolutizma do socializma ... Od defetizma do optimizma ... Od populzma do vulgarizma ... Od humanizma do barbarizma. Deveta je antropološki stroj, ki ga poganja Beethoven. Na eni strani “mojstrovina
- [Terapija Casablanca](https://vntheatre.com/projekti/terapija-casablanca/) - Anita Wach • Bojan Jablanovec • Emma-Cecilia Ajanki • Gregor Zorc • Magdalena Tuka • Marie-Luise Stentebjerg Ljubezen kot nesporazum Zgodbe o žrtvah konzumentske ideologije ljubezni, o bizarnih in absurdnih načinih samopotešitve in o begu pred novimi razočaranji. Performans, poln osladnih romantičnih pesmic in ljubezenskih klišejev, izrablja gledalce za skupinsko terapijo razočaranih, prevaranih in ponižanih.
- [365 padcev](https://vntheatre.com/projekti/nerazresljivo/365-padcev/) - Anita Wach • Bojan Jablanovec • Gregor Zorc • Kristina Aleksova • Loup Abramovici • Nataša Živković • Vito Weis Gravitacija nas še vedno drži skupaj Veliki zdrs se lahko zgodi kadarkoli. Finančni, okoljski, jedrski, kozmični ... Smo v stalni pripravljenosti. Zaposleni z ravnotežjem. Osebno, lokalno, nacionalno, globalno. Toda gravitacija nas še vedno drži skupaj.
- [Via Nova](https://vntheatre.com/projekti/via-nova/) - 2009 - 2011 • Cikel performansov Paradoks novega Via Nova je cikel performansov manjšega formata, večinoma solo ali dueti, ki jih predstavljamo samostojno ali v kontekstu skupinskih predstavitev. Via Nova reflektira produkcijo VN skozi razmerja med kreacijo in destrukcijo, teorijo in prakso, kopijo in originalom, prisotnostjo in odsotnostjo, vrednostjo in ceno itd. Svoj material Via Nova
- [Obetavno](https://vntheatre.com/projekti/obetavno/) - 2016 - 2017 • Loup Abramovici Potencial umetniškega dogodka Obetavno je cikel desetih potencialnih situacij z desetimi različnimi gosti na desetih različnih prizoriščih. Vsako situacijo formirajo prostor s svojim potencialom konteksta, Loup Abramovici kot potencial gibanja, Tomaž Grom kot potencial zvoka in posebni gosti kot potenciali vsebine. Obetavno vse te potenciale stisne in konfrontira v
- [Neverjetno](https://vntheatre.com/projekti/obetavno/neverjetno/) - Loup Abramovici • Tomaž Grom • Eduardo Raon • Jaša Mrevlje Pollak • Primož Bezjak V neverjetno je treba verjeti Sklepni dogodek cikla Obetavno Neverjetne stvari se verjetno dogajajo vsak dan. Neverjetno je edino dejstvo, da se jim ne znamo več čuditi. Naši domovi postajajo korporativni kloni, naša mesta postajajo franšize globalnega kapitala, naše identitete
- [Obetavno #5](https://vntheatre.com/projekti/obetavno/obetavno-5/) - Maja Rivić • Loup Abramovici • Tomaž Grom Potencial vsebine: Maja Rivić Maja Rivić je diplomirala iz petja, kompozicije in aranžiranja na Middlesex University v Londonu. Je soustanoviteljica in pevka jazz orkestra Mimik - Mako Murtić, s katerim je posnela tri studijske albume in nastopala v znanih londonskih in zagrebških klubih ter na festivalih. Večkrat
- [Obetavno #6](https://vntheatre.com/projekti/obetavno/obetavno-6/) - Tomi Janežič • Loup Abramovici • Tomaž Grom Potencial vsebine: Tomi Janežič Tomi Janežič je gledališki režiser, pedagog in psihodramski terapevt. Od leta 1996 vodi Studio za raziskavo umetnosti igre, ki svoje aktivnosti zadnja leta izvaja v Kreativnem centru Krušče. Janežič je mednarodno priznani gledališki umetnik, režiral je v številnih evropskih gledališčih in za svoje
- [Obetavno #7](https://vntheatre.com/projekti/obetavno/obetavno-7/) - Katarina Pejović • Loup Abramovici • Tomaž Grom Potencial vsebine: Katarina Pejović Katarina Pejović je dramaturginja, intermedijska umetnica, pisateljica, pedagoginja, kulturna aktivistka in prevajalka. Od leta 2001 do 2012 je bila v tandemu z Borisom Bakalom soavtorica projektov umetniške platforme Bacači Sjenki. Od leta 2013 predava na Akademiji za dramsko umetnost v Zagrebu. Obetavno #7
- [Obetavno #8](https://vntheatre.com/projekti/obetavno/obetavno-8/) - Matej Stupica • Loup Abramovici • Tomaž Grom Potencial vsebine: Matej Stupica Matej Stupica je vizualni umetnik, ki deluje na raznih področjih umetnosti. Ustvarja in soustvarja instalacije, risbe, predstave, knjige umetnika, slike, stripe, ilustracije za knjige, časopis, zvočne izdaje itd. Od leta 2012 deluje tudi v tandemu z umetnico Lenko Đorojević. Obetavno #8 2017 • ObetavnoPerformans
- [Obetavno #9](https://vntheatre.com/projekti/obetavno/obetavno-9/) - Jaša Mrevlje Pollak • Loup Abramovici • Tomaž Grom Potencial vsebine: Jaša Mrevlje Pollak JAŠA (Mrevlje-Pollak) je konceptualni umetnik, ki živi in dela v Berlinu. Leta 2015 je zastopal Slovenijo na Beneškem bienalu, najbolj znan pa je po svojih instalacijah in situ ter performansih v trajanju. Veliko razstavlja v Evropi, ZDA in Južni Ameriki. Leta
- [Obetavno #4](https://vntheatre.com/projekti/obetavno/obetavno-4/) - Vid V. Vodušek • Loup Abramovici • Tomaž Grom Potencial vsebine: Vid V. Vodušek Dr. Vid V. Vodušek je psiholog. Zaposlen je na Psihiatrični kliniki Ljubljana, kjer deluje na področju gerontopsihiatrije. Deluje diagnostično, terapevtsko in izobraževalno – predvsem na področjih avtizma, demence in psihoz. Organizira in izvaja predavanja, okrogle mize in diskusijske skupine za strokovno
- [Obetavno #3](https://vntheatre.com/projekti/obetavno/obetavno-3/) - Janez Janša • Loup Abramovici • Tomaž Grom Potencial vsebine: Janez Janša Janez Janša je režiser in izvajalec interdisciplinarnih projektov. Je avtor in soavtor številnih scenskih, interdisciplinarnih, konceptualnih in vizualnih del, ki so bila predstavljena tudi na pomembnih evropskih in ameriških prizoriščih. Med leti 1998 in 2006 je bil urednik revije Maska. Je soustanovitelj Centra
- [Obetavno #2](https://vntheatre.com/projekti/obetavno/obetavno-2/) - Eduardo Raon • Loup Abramovici • Tomaž Grom Potencial vsebine: Eduardo Raon Eduardo Raon je portugalski klasično izobražen harfist, skladatelj in oblikovalec zvoka, ki živi v Ljubljani. Ustvarja sodobno in improvizirano glasbo in črpa iz etno, noise, pop, retro, rock, ambient in elektronske glasbe. Sodeluje s številnimi glasbeniki in zasedbami. Ustvarja glasbo za gledališke predstave
- [Obetavno #1](https://vntheatre.com/projekti/obetavno/obetavno-1/) - Katarina Stegnar • Loup Abramovici • Tomaž Grom Potencial vsebine: Katarina Stegnar Katarina Stegnar je igralka, performerka, gibalka, raziskovalka, snovalka, ki je na slovenskem gledališkem prizorišču dejavno navzoča od leta 1999. S svojo ustvarjalnostjo je zaznamovala zlasti neodvisno sceno – bila je dejavna ustvarjalka platforme Via Negativa in članica skupine Betontanc, še vedno pa deluje
- [Sedem smrtnih grehov](https://vntheatre.com/projekti/sedem-smrtnih-grehov/) - 2002 - 2008 • Cikel performansov Subjektivizacija via negativa Smrtni grehi predstavljajo za platformo Via Negativa tisto obče prepoznavno tematsko polje, ki vzpostavlja arhetipsko fronto konflikta v razmerju med subjektom in družbo. Jeza, lenoba, pohota, požrešnost, pohlep, zavist in napuh za katoliško cerkev predstavljajo izvor zla, pravni sistem pa jih nadzoruje z mehanizmi represije in
- [Boj z duhovi](https://vntheatre.com/projekti/30-stavkov/boj-z-duhovi/) - Anita Wach “Žrtve kažejo na nedolžnost. In nedolžnost kaže na krivdo.” Susan Sontag26. stavek cikla 30 stavkov Performans se osredotoča na kožo kot nosilko zgodbe. Z eno samo gesto izvajalka poskuša izpisati na desetine mikro zgodb o namenu in možnih posledicah dotika. Vsaka sled na koži rekonstruira dokaze o potencialnem užitku, bolečini ali utelešenih fantazijah.
- [National Body Art](https://vntheatre.com/projekti/30-stavkov/national-body-art/) - Anita Wach • Magdalena Tuka “Jaz in domovina sva eno; Moje ime je Milijon: ker za milijone ljubim in trpim muke.” Adam Mickiewicz18. stavek cikla 30 stavkov National Body Art – to sem jaz in moj skoraj zatrt prostor. Sem iz Poljske, sem iz Hrvaške, sem iz Slovenije. Danes si dajem duška. Dovolim si uničevati. Za
- [Končna rešitev](https://vntheatre.com/projekti/30-stavkov/koncna-resitev/) - Anita Wach • Bojan Jablanovec “Konflikt med umetnostjo in politiko ni in ne sme biti rešen” Hannah Arendt25. stavek cikla 30 stavkov 8 ur ponižnega dela proti režimu ideološke podrejenosti. Izvajalka verjame, da bo s potrpežljivostjo in vztrajnostjo, korak za korakom, gib za gibom, črko za črko, umetnost zmagala. Naivno in odločno se bori proti
- [Via MSU Zagreb](https://vntheatre.com/projekti/via-nova/via-msu-zagreb/) - Skupinska predstavitev Transformacija žive izvedbe v muzejski dokument VN v muzejsko zbirko MSU vstopa kot v zgodbo, v kateri komunicira z vsemi njenimi vsebinskimi sklopi: Projekt in usoda, Umetnost kot življenje, Umetnost o umetnosti, Velika enigma sveta, Besede in slike. Pri tem se navezujemo na programska izhodišča MSU: “iniciramo in prikazujemo premike v prezentaciji, komunikaciji
- [Via Nova Museum](https://vntheatre.com/projekti/via-nova/via-nova-museum/) - Skupinska predstavitev Performans kot postopek kreacije artefakta Postopek razstavljanja starega (demontaža performansov Vie Negative) in postavljanja novega (razstave Via Nova Museum). Enajst performerjev izvaja dvajset situacij iz cikla performansov Sedem smrtnih grehov. Njihove akcije zasledujejo skupni cilj: ustvariti dvajset artefaktov in v kontekstu stalne zbirke Mestnega muzeja Ljubljana postaviti razstavo. Performansi dve uri sočasno potekajo
- [Tri življenja](https://vntheatre.com/projekti/30-stavkov/tri-zivljenja/) - Anita Wach “Umetnost in narava, umetnost v naravi, si delita skupno strukturo: pretirana in neuporabna proizvodnja – proizvodnja, namenjena sama sebi, proizvodnja zavoljo obilja in diferenciacije.” Elizabeth Grosz2. stavek cikla 30 stavkov Tri avtonomne oblike življenja – dve s sposobnostjo gibanja, ena s sposobnostjo ustvarjanja kisika, vse s sposobnostjo čutenja. Tri bitja, vsako s svojo
- [Via New Territories](https://vntheatre.com/projekti/via-nova/via-new-territories/) - Skupinska predstavitev This is Performance art - Europe Devet performansov na škotskem live art festivalu New Territories Glasgow, v okviru programa “This is Performance art – Europe.” 9-urni program v treh poglavjih tematizira tri temeljna področja ustvarjalnega dela Vie Negative: mišljenje, prezenca in odnos. Via New Territories 2011 • Via NovaSkupinska predstavitev • 540 min
- [Via MKC Split](https://vntheatre.com/projekti/via-nova/via-mkc-split/) - Skupinska predstavitev Agonija telesa brez ideje in impotenca ideje brez telesa Fascinantna betonska odrska luknja visoka 23,5 m z amfiteatrom za 650 gledalcev je bila glavni povod za nastanek te skupinske predstavitve. To je arhitektonsko jedro megalomanske zgradbe Doma mladih v Splitu, ki je bil leta 1979 načrtovan kot kulturni center socialistične mladine, njegova izgradnja
- [Via II. gimnazija Maribor](https://vntheatre.com/projekti/via-nova/via-ii-gimnazija-maribor/) - Skupinska predstavitev Osem performansov v logiki šolskega dne V eseju Izbris gledalca Blaž Lukan pravi, da vsevedni gledalec ne potrebuje gledališča, kajti v gledališče prihaja gledalec, ki se nikoli ni in ne bo ničesar naučil. Performansi Via II. Gimnazija se zvrstijo po učilnicah II. gimnazije Maribor in preigravajo razmerje med “vednostjo” in “nevednostjo.” Vsak performans
- [Svoboda vodi ljudstvo](https://vntheatre.com/projekti/30-stavkov/auto/) - Anita Wach “Nujnost je slepa, dokler ne postane zavestna. Svoboda je zavest o nujnosti.” Karl Marx11. stavek cikla 30 stavkov O konceptu svobode kot politične in družbene nujnosti. Z besedo “svoboda” nas državniki, politiki, ekonomisti, aktivisti, umetniki, duhovniki in številni drugi “eksperti” že stoletja nagovarjajo naj sledimo nujnosti in umiramo za ideje. Svoboda je imperativ
- [Pogovorimo se o Nini](https://vntheatre.com/projekti/30-stavkov/pogovorimo-se-o-nini/) - Anita Wach “Umetnik je nekdo, ki ne dela nič drugega kot kultivira lastno podobo.” Boris Groys15. stavek cikla 30 stavkov Nina je sodobna umetnica, ena izmed mnogih. Razume moč normativov, režimov in struktur, na katerih stoji ali pade. Ustvarja mrežo, ki kultivira njeno kariero. Je nosilka teorij o sebi in svojem poslanstvu. Svojo prisotnost povezuje
- [Rectum](https://vntheatre.com/projekti/30-stavkov/rectum/) - Anita Wach “Jaz sem državljan sveta.” Diogen iz Sinope1. stavek cikla 30 stavkov Telo kot filter za predelavo civilizacijskih norm. Solidarnost, sočutje, odgovornost, enakopravnost, zaupanje, humanost – vsi ti pojmi imajo svojo maso, težo in konsistenco. Vsako telo, veliko ali majhno, močno ali šibko, mora vsrkati in predelati obsežen univerzum civilizacijskih imperativov. Vse je treba
- [Izbris gledalca](https://vntheatre.com/projekti/via-nova/izbris-gledalca/) - Blaž Lukan Strategije vzpostavljanja razmerij z gledalcem Teoretski sprehod skozi strategije, s katerimi je VN v ciklu performansov Sedem smrtnih grehov (2002 -2008) vzpostavljala donos s svojo publiko. Z analizo predavatelj sproži serijo demonstracij, ki ga postavijo v središče učinkov tega, o čemer govori. Teoretik se ne more izogniti temu, da si ne bi “mazal
- [Gola prisotnost](https://vntheatre.com/projekti/via-nova/gola-prisotnost/) - Skupinska predstavitev To ni umetnost. To je prisotnost. “Danes ni več nobene “ontološke” razlike med ustvarjanjem in prikazovanjem umetnosti. V kontekstu sodobne umetnosti ustvarjati pomeni nekaj prikazati kot umetnost.” (Boris Groys, Politics of Installation, e-flux journal #2, 01/2009) Galerijski performans Gola prisotnost je instalacija žive prezence v kontekstu razstave z naslovom Real Presence, ki predstavlja
- [Biti Ignacij Borštnik](https://vntheatre.com/projekti/via-nova/biti-ignacij-borstnik/) - Skupinska predstavitev Trije možni odgovori na vprašanje, kaj pomeni biti Ignacij Borštnik Biti Ignacij Borštnik je skupni naslov treh performansov, ki se s svojimi vsebinami navezujejo na kontekst Borštnikovega srečanja, ki je svoje ime dobil po slovenskem igralcu in režiserju Ignaciju Borštniku (1858–1919), utemeljitelju sodobnega slovenskega gledališča. Bil je prvi režiser v sodobnem smislu besede
- [Balkanska zveza](https://vntheatre.com/projekti/via-nova/balkanska-zveza/) - Skupinska predstavitev Balkan je neusahljiv vir trupel in originalov Balkanska zveza je zveza treh performansov, ki v režiji Slovenca (Bojan Jablanovec) povežejo Hrvata (Boris Kadin) in Srba (Kristian Al Droubi) v kontekstu Josepha Beuysa, Marine Abramović in teoretske refleksije Bojane Kunst. Boris in Kristian z balkansko neposrednostjo, radikalnostjo in humorjem uprizarjata svoj odnos do intelektualizacije,
- [Viva Mandić](https://vntheatre.com/projekti/via-nova/viva-mandic/) - Marko Mandić Tri prisotnosti: javna, intimna in telesna Javno in intimno prisotnost Marka Mandića lahko gledalec doživlja na dveh video platnih. Prvi video “Mandić” povzema njegove gledališke vloge od začetka kariere pa do Prešernove nagrade za umetniške dosežke (2009). Drugi video “Marko” vzporedno razkriva njegovo skrivno umetniško izkušnjo, ki jo je v dveh nočeh posnel
- [Tonight I Celebrate](https://vntheatre.com/projekti/via-nova/tonight-i-celebrate/) - Uroš Kaurin • Tomaž Grom O globini in plehkosti razmerja med izvajalcem in publiko Naslovni song “Tonight I Celebrate My Love” je uvod v osem pop songov, s katerimi pevec in performer Uroš Kaurin, ob spremljavi Tomaža Groma na kontrabasu, izpove svojo ljubezen do publike: “Draga publika. Rad bi vam rekel hvala. Veliko smo že
- [Tihožitje](https://vntheatre.com/projekti/via-nova/tihozitje/) - Nataša Živković Umik v negibnost Tihožitje je zanka treh tradicionalnih form: tihožitja kot vizualne forme, baleta kot gibalne forme in verza kot miselne forme. Prestop tradicionalne norme, kot družbeno sprejete konvencije, je nekoč veljal za eksces: nezmeren, prekomeren, histeričen odziv. Histerija je vse do 17. stoletja veljala za izključno žensko bolezen, ki naj bi jo
- [Fuck Them All](https://vntheatre.com/projekti/30-stavkov/fuck-them-all/) - Anita Wach “Svet ni razumljiv, je pa sprejemljiv: z objemom enega od njegovih bitij.” Martin Buber3. stavek cikla 30 stavkov Par – najbolj ikonična in najbolj banalna reprezentacija odnosa. Vzpostavlja zaprto semiosfero, zgrajeno na načelih izmenjevanja, dopolnjevanja in zrcaljenja. Razdalja ne obstaja. Samoreferenčni hibrid dveh teles, ločenih od preostalega sveta, v trajajočem objemu. Tanka meja
- [Reflektor name](https://vntheatre.com/projekti/via-nova/reflektor-name/) - Barbara Kukovec Paradoks žive prisotnosti “Richard Wagner: Ples Valkir. Glasneje. Glasneje. Glasneje. In – bum. Teater eksplodira. Stene se sesujejo, strop pade na nas. Ampak vi in jaz preživimo. Ostali smo samo še vi, jaz in ona – spomin na vse, česar ni več.” Performans La Ribot Another Bloody Mary je predzadnja žrtev v tej
- [Prvi zakon B.K.](https://vntheatre.com/projekti/via-nova/prvi-zakon-b-k-2/) - Barbara Kukovec “Bazična funkcija BK je pretvarjanje energije. Tega BK ne imenuje niti življenje niti trpljenje, niti si tega ne želi izboljševati ali popravljati.” (Barbara Kukovec) Performans za štiri projektorje, kolo in kolesarko. Prvi zakon izhaja iz prvega zakona termodinamike, ki pravi: “Energije ni mogoče uničiti ali ustvariti iz nič, ampak le pretvoriti iz ene
- [Miting resnice](https://vntheatre.com/projekti/via-nova/miting-resnice/) - Boris Kadin “Ljubim to deželo, pašnike in svojo čredo” (Boris Kadin) Avtoironična retrospektiva politične in ideološke dediščine bivše Jugoslavije skrojena iz obdelav standardov hrvaške glasbene estrade. Performans nosi naslov po velikih “ljudskih” zborovanjih, ki so se dogajala konec osemdesetih let po republikah takratne Jugoslavije, na katerih so srbski politiki razglašali svoje resnice o svoji Jugoslaviji.
- [Čisti performans](https://vntheatre.com/projekti/via-nova/cisti-performans/) - Jaka Lah “Vsaka sekunda, ki teče med nami, mora biti čista sekunda” (Jaka Lah) Čisti performans problematizira formo kot osnovno orodje umetniškega izražanja. Jaka sebe in gledalca postavi v pozicijo ujetnikov forme: “Rad bi, da smo si že od začetka na jasnem. Vseeno mi je od kod prihajate. Vseeno mi je ali si rit brišete
- [Še](https://vntheatre.com/projekti/sedem-smrtnih-grehov/se/) - Barbara Kukovec • Boris Mihalj • Bojan Jablanovec • Daša Doberšek • Gregor Zorc • Jaka Lah • Mateja Pucko • Petra Govc Požrešnost pogleda Hrana v obliki različnih prehrambnih izdelkov predstavlja osnovni nabor rekvizitov, ki jih performerji uporabljajo v situacijah, s katerimi razkrivajo lastno požrešnost ali uprizarjajo svojo obrambo pred njo. S pomočjo teh
- [Incasso](https://vntheatre.com/projekti/sedem-smrtnih-grehov/incasso/) - Bojan Jablanovec • Gregor Zorc • Jaka Lah • Katarina Stegnar • Kristian Al Droubi • Mateja Pucko • Matej Recer • Petra Govc • Sanela Milošević Vi točno veste, kaj hočete za svoj denar Incasso zaustavi utečeni tok kroženja denarja kot menjalnega sredstva. Denar, s katerim so gledalci plačali vstopnino, v performansu postane material,
- [Out](https://vntheatre.com/projekti/sedem-smrtnih-grehov/out/) - Bojan Jablanovec • Boris Kadin • Gregor Zorc • Darko Japelj • Katarina Stegnar • Kristian Al Droubi • Nataša Živković • Petra Zanki • Rok Matek • Sanela Milošević • Uroš Kaurin Napuh med gledalcem in izvajalcem Out je igra s predvidevanji izvajalca in s pričakovanji gledalca. Performans preizkuša, kako bosta svoje vloge odigrala v situaciji,
- [Ne kot jaz](https://vntheatre.com/projekti/sedem-smrtnih-grehov/ne-kot-jaz/) - Bojan Jablanovec • Boris Kadin • Iva Burčul • Kristian Al Droubi Vse se je začelo z gledanjem v zid O zavisti kot najbolj avtodestruktivnem razmerju. Performans teatralizira zavist kot relacijo, ki obvladuje odnose med izvajalci in uničuje samega sebe. Igra z noži performans pripelje do točke, ko je pomembna samo še kri. Performans je
- [Izhodiščna točka jeza](https://vntheatre.com/projekti/sedem-smrtnih-grehov/izhodiscna-tocka-jeza/) - Bojan Jablanovec • Gaber Kristjan Trseglav • Gregor Zorc • Iva Babić • Marko Mandić • Nana Milčinski • Petra Govc • Primož Bezjak Performer kot galerijski eksponat Izhodiščna točka jeza je prvi odvod raziskave Via Negativa. Obsega šest solo nastopov, ki trajajo od 12 do 17 minut. Nastopi potekajo simultano in ločeno na različnih prizoriščih po
- [Štiri smrti](https://vntheatre.com/projekti/sedem-smrtnih-grehov/stiri-smrti/) - Barbara Kukovec • Bojan Jablanovec • Gregor Zorc • Katarina Stegnar • Petra Zanki Zavist kot fantazma o smrti Podobno kot v biblijski zgodbi o zavisti brata Abel in Kajn tekmujeta za božjo ljubezen, v gledališču tekmujemo za ljubezen publike. V naši zgodbi o zavisti smo se vprašali, kdo je naš Abel? Štirje performerji inscenirajo
- [Viva Verdi](https://vntheatre.com/projekti/sedem-smrtnih-grehov/viva-verdi/) - Barbara Kukovec • Barbara Matijević • Bojan Jablanovec • Dylan Tighe • Gregor Zorc • Katarina Stegnar • Kristian Al Droubi • Marko Mandić • Petra Govc • Petra Zanki • Sanela Milošević To ni predstava. To je protest! O smislu ustvarjanja, ki ga nihče ne potrebuje, in o nesmislu ustvarjanja tistega, kar se pričakuje.
- [Stegn se](https://vntheatre.com/projekti/via-nova/stegn-se/) - Katarina Stegnar Ideja, v katero verjamemo vsi Performans, v katerem moramo vsi odigrati svoje vloge: performer postane truplo, gledalec postane pogrebec, performans postane pogreb. “Kaj bi rad za zadnjo večerjo? Kje bi bil rad pokopan? Kako naj te pokopljejo? Kdo naj pride na tvoj pogreb? Kdo naj ti prebere pogrebni govor? Katero pesem naj igrajo
- [Rodovitna prst](https://vntheatre.com/projekti/extima/rodovitna-prst/) - Olja Grubić Solata in kri Timothy Morton pravi, da sta podoba in koncept narave same ena glavnih ovir pri razmišljanju o okolju, ki je skozi stoletja v človeški miselni sferi razvilo iluzijo nasprotovanja in ločenosti med biosfero in človeško civilizacijo. Občudovanje narave na daljavo povzroča podobno paradoksalno miselno zmedo, kot jo patriarhat izvaja pri ženski:
- [Grozljiva statistika](https://vntheatre.com/projekti/30-stavkov/grozljiva-statistika/) - Anita Wach “Kjer se ljudje počutijo varne, bodo ravnodušni.” Susan Sontag21. stavek cikla 30 stavkov Performans kot vaja iz empatije. Sočutje je umirajoče čustvo, bolj kot so grozljiva dejstva, manj čutimo. Proces vzbujanja empatije je dolgotrajen, zahteva veliko nežnosti in potrpežljivosti. Spričo grozljivih statističnih podatkov poskušamo reanimirati svoje srce in senzibilizirati svojo kožo. Da bolečino
- [Iz krajov niso, ki v njih sonce sije](https://vntheatre.com/projekti/30-stavkov/iz-krajov-niso-ki-v-njih-sonce-sije/) - Anita Wach “Meje mojega jezika so meje mojega sveta.” Ludwig Wittgenstein22. stavek cikla 30 stavkov 8. februarja dva izseljenca bereta Prešerna – največjega slovenskega pesnika, očeta narodove zavesti in pogubnega romantika. To je dan, posvečen praznovanju kulture – gorivu, ki poganja nacionalno pošast. Tujca si lomita jezik in napenjata svoj govorni aparat, da bi se
- [Vse najboljše](https://vntheatre.com/projekti/30-stavkov/vse-najboljse/) - Anita Wach “Mladi in lepi ljudje so naravne nesreče, lepi in stari ljudje so umetniška dela.” Eleanor Roosevelt23. stavek cikla 30 stavkov Anita praznuje svoj rojstni dan, ki ga posveča enemu od 8.000.000.000 ljudi na planetu. Njeno življenje, njene izkušnje, njena razmišljanja in spoznanja o realnosti so le delček dogodka. Performans je tudi poln sladkarij,
- [Reaktor](https://vntheatre.com/projekti/30-stavkov/reaktor/) - Anita Wach • Beno Novak • DHectix “V zgodovini človeštva je prevladal tisti, ki se je naučil sodelovati in improvizirati.” Charles Darwin24. stavek cikla 30 stavkov Plesalci in glasbeniki raziskujejo naravo improvizacije kot stroja za proizvodnjo energije – goriva za komunikacijo in relacijo. Izvajalci oder obravnavajo kot reaktor, ki ustvarja pogoje za eksplozijo majhnega vesolja.
- [Brez bolečine ni dobička](https://vntheatre.com/projekti/30-stavkov/brez-bolecine-ni-dobicka/) - Anita Wach • Kristina Aleksova “Velikost napredka se meri z veličino žrtve, ki jo zahteva.” Friedrich Nietzsche27. stavek cikla 30 stavkov Blagostanje uspeva na podlagi iluzije, da sta žrtvovanje in bolečina nujna za rast. Toda žrtvovanje je izgubilo svoj svetniški status. Danes smo vsi žrtve in vsi imamo od tega koristi. “Izbrani” nimajo druge izbire,
- [Ringlšpil](https://vntheatre.com/projekti/ringlspil/) - Sara Horžen • Varja Hrvatin Konj, slon, opica, krava, prasica, veverica Besede same po sebi ne nosijo pomena, vse dokler jih ne požre verbalna igra. Premetavanje besed gor, dol, levo, desno v neskončnem vrtincu med javnim in zasebnim vzpostavlja vrtiljak (ne)sprejemljivega, (ne)korektnega, (ne)problematičnega izražanja. Populizem kulturo nasilja pretvarja v orodje zabave, lunapark naprave, igre moči
- [Volilno telo](https://vntheatre.com/projekti/30-stavkov/volilno-telo/) - Anita Wach “Duh demokracije ne more bit vsiljen od zunaj, priti mora od znotraj.” Mahatma Gandhi14. stavek cikla 30 stavkov Glasujemo proti. Glasujemo za manjše zlo. Glasujemo za izločitev. Demokracija kot »najboljši možen politčni sistem« je dobil status dogme: volitve so postale legitimacija manjšega zla, posameznik se podreja večini, javno mnenje je nova darvinistična paradigma
- [This!](https://vntheatre.com/projekti/this/) - Argyro Chioti • Boris Kadin • Efthymios Theou • Vassilis Haralambidis Slepič komunikacije Je danes v sodobni umetnosti sploh mogoče izreči nekaj, kar ni politično? Ali smo zaradi vsega, kar vidimo in slišimo na odru, pametnejši in razsvetljeni? Zakaj tistemu-kar-vidimo bolj verjamemo, kot tistemu-kar-rečemo. This! se odvija v polju dia-loga (»delitve logosa«), v katerem se
- [Xmas](https://vntheatre.com/projekti/30-stavkov/xmas/) - Anita Wach • Olja Grubić “Zame so bila drevesa vedno najbolj prodorni pridigarji.” Herman Hesse19. stavek cikla 30 stavkov Letos ne bo daril pod smrečico.Letos ne bo smrečice.Smrečica se je vrnila v naravo. XmasBožična voščilnica Zamisel — Anita WachRisba — Olja GrubićProducentka — Špela TroštProdukcija — Via Negativa Objavljeno25-12-2022, Facebook Voščilnica
- [Veto](https://vntheatre.com/projekti/30-stavkov/veto/) - Anita Wach “Moje roke je vklenil tihi veto.” Winston Churchill13. Stavek cikla 30 stavkov Ženska pod pritiskom. Človek v nevarnosti. Oseba pod nadzorom. Obstaja potreba po samoobrambni strategiji. Samoobramba pred družbenimi, finančnimi in ideološkimi pričakovanji. Dolžni smo biti omreženi, priključeni, vključeni. Nositi moramo polnilec in vzdrževati polno baterijo. Veto. Nočem ostati povezana. Zavračam informiranje, oplojevanje,
- [We, the Perverts](https://vntheatre.com/projekti/30-stavkov/we-the-perverts/) - Anita Wach “Če bi ljudje lahko videli notranjost mojih možganov, bi šla v zapor.” Camille Paglia12. stavek cikla 30 stavkov Prišel je čas. Napočila je Svoboda. Zdaj imamo priložnost, da spregovorimo. Da izrazimo svojo ljubezen do vsakogar, ki nas je pripravljen poslušati. Zdaj lahko storimo nekaj dobrega za vse tiste, ki končno želijo svobodno uživati
- [Tradicija](https://vntheatre.com/projekti/30-stavkov/tradicija/) - Anita Wach “Vzajemno razumevanje žensk izhaja iz dejstva, da se poistovetijo druga z drugo; vendar je iz istega razloga tudi vsaka proti vsaki.” Simone de Beauvoir9. stavek cikla 30 stavkov Skupina žensk tvori večkulturni organizem, ki neguje etos skupnosti in ohranja kulturno identiteto. Poustvarjajo arhetipsko podobo žensk, ki delujejo kot varuhinje in nosilke tradicije. Vsaka
- [Levica sredica desnica](https://vntheatre.com/projekti/30-stavkov/levica-sredica-desnica/) - Anita Wach “Naj ne ve levica, kaj dela desnica.” Biblija7. stavek cikla 30 stavkov Med levico in desnico, med pravico in krivico, med ideologijo in dogmo vedno stoji živo telo. Telo se postavlja med besede, pojme, koncepte in skuša razbiti asimetrično strukturo semiosfere. Pisanje postane dejanje usklajevanja možganov s korpusom, sinhronizacija abstrakcije s fizičnostjo. Telo
- [Ravnovesje](https://vntheatre.com/projekti/30-stavkov/ravnovesje/) - Anita Wach • Bojan Jablanovec "Ljubim vse, ki kakor težke kaplje padajo iz temnega oblaka, ki se spušča nad človeka: naznanjajo prihod strele in se kot glasniki uklonijo.” Friedrich Nietzsche6. stavek cikla 30 stavkov Svet niha med znanjem in nevednostjo, racionalnostjo in čustvi, naravo in tehnologijo, preteklostjo in prihodnostjo. Ohranjanje ravnovesja je stalno, trdo delo.
- [Kako zajcem razložiti spomenik](https://vntheatre.com/projekti/30-stavkov/kako-zajcem-razloziti-spomenik/) - Anita Wach • Magdalena Tuka “Zajec resnično uprizarja – človek to lahko naredi le v domišljiji. Koplje in si gradi dom v zemlji.” Joseph Beuys5. stavek cikla 30 stavkov Zajec je simbol plodnosti in vitalnosti, hkrati tudi ponovnega rojstva, vstajenja in samožrtvovanja. Na dan boja proti okupatorju zajci eden za drugim zasedejo najbolj miren kraj
- [Kastracija](https://vntheatre.com/projekti/kastracija/) - Glass Illka Obscena medijska igra Obscenost je v neposredni konotaciji z gledališčem. Dobesedno pomeni, da smo soočeni z nečim, kar bi moralo ostati izven scene in skrito pred našimi očmi. Če to igro premestimo v polje političnega, obscenost vstopi v neposredno razmerje s politično korektnostjo, hkrati pa se zgodi neka bistvena premestitev obscenega – obscena
- [Lov na realno](https://vntheatre.com/projekti/via-nova/lov-na-realno-2/) - Bojan Jablanovec • Blaž Lukan • Gregor Zorc • Katarina Stegnar • Boris Kadin • Kristian Al Droubi Izvedbene strategije VN Ena od temeljnih značilnosti 20. stoletja je strast do realnega, pravi Alain Badiou. Zato umetnost “hoče pokazati svoj proces, vidno realizirati svojo materialnost (in) predlaga umetniške geste, ki so bile prej nemogoče, oziroma kot
- [Kriv!](https://vntheatre.com/projekti/via-nova/kriv/) - Boris Kadin Javno branje obtožnice zoper predsednika in izvršne direktorje MMF za zločin ekonomskega genocida nad človeštvom V obtožnici se performer Boris Kadin sprašuje, kdo je kriv, da postopoma izgubljamo svojo pravico do vode, kisika in življenja nasploh. Kdo je kriv za ekonomski umor republike Hrvaške, kdo njegovi devetletni hčerki jemlje pravico do prihodnosti. Izvajalec
- [Invalid](https://vntheatre.com/projekti/via-nova/invalid/) - Primož Bezjak Invaliden sistem lahko živi samo z invalidi “28. 9. 1990, splošna bolnišnica Maribor. Na Pohorju se mu je skotalil kamen in ga zadel v levo koleno.” Tako se začne Primoževa zgodba o poškodbi njegovega kolena z obsežno diagnostično in terapevtsko dokumentacijo, ki do danes še ni dočakala svojega konca. Danes je Primož še
- [Ekstrakt Mandić](https://vntheatre.com/projekti/via-nova/ekstrakt-mandic/) - Marko Mandić “Mandića je težko ekstrahirati. Kot da impotenca nastopi prav z vstopom na oder.” (Marko Mandić) “Do danes sem odigral, nekatere še vedno, 33 vlog (od tega 14 oblečen). V treh predstavah sem si ga moral drkati. Masturbiranje bi sicer lahko markiral, saj je bil penis vsakič skrit pred pogledom publike, ampak jaz sem
- [Dober posel](https://vntheatre.com/projekti/via-nova/dober-posel/) - Gregor Zorc Pogodba s publiko Gregor gledalcem vrne denar od vstopnine in predlaga, da posel sklenejo še enkrat: “Vem, da bi si zaslužil več. Mi vsi bi si zaslužili več. Zaslužimo si kakšen lepši in večji teater. Vi si zaslužite udoben sedež in dobro predstavo. Jaz si zaslužim malo več publike, malo večji oder in
- [Kupec z žilico](https://vntheatre.com/projekti/via-nova/kupec-z-zilico/) - Katarina Stegnar “Vaš denar je postal umetniško delo. Začetna cena je 500 Eur.” (Katarina Stegnar) O razliki med ceno in vrednostjo umetniškega dela. Katarina gledalca postavi v položaj tistega, ki je priča nastanka njenega umetniškega dela in ki ga edini lahko tudi realno vrednoti, ter se sprašuje: Je moj gledalec tudi moj idealni kupec? To
- [Pogovor z umetnikom](https://vntheatre.com/projekti/via-nova/pogovor-z-umetnikom/) - Kristian Al Droubi “Po poreklu sem mešanec sirijsko arapske krvi, kar je sijajen genski potencial” (Kristian Al Droubi) O politični nemoči radikalne umetniške prakse, o priznanju kot medijskem spektaklu, o impotenci komunikacije, o imperativu užitka v sodobni postindustrijski družbi, o nemoči subjektivizacije... Vprašanja, ki temeljijo na eseju Bojane Kunst O nemoči radikalne potrošnje (objavljen v zborniku
- [Igra z zobotrebci](https://vntheatre.com/projekti/via-nova/igra-z-zobotrebci/) - Boris Kadin • Kristian Al Droubi “Novo je nekaj, česar nihče ne more pričakovati - in v bistvu si ga nihče tudi ne želi” (Boris Kadin) Dokumentarni performans o medijskih odzivih na performans Ne kot jaz na festivalu Zadar Snova (13-08-2007, Zadar). “Slobodna Dalmacija, 16-08-2007, Groza v Zadru. Krvava predstava gledališke skupine Via Negativa v cerkvi
- [Kaj mi je povedal Joseph Beuys...](https://vntheatre.com/projekti/via-nova/kaj-mi-je-povedal-joseph-beuys-ko-sem-mrtev-lezal-v-njegovem-narocju/) - Boris Kadin “Človek se ne rodi kot umetnik, niti ne postane umetnik s svojim delom - človek lahko samo umre kot umetnik” (Boris Kadin) Boris Kadin je prepričan, da je Joseph Beuys umetnik izven vseh kategorij. Da bi lahko kredibilno razpravljal o Beuysu, Kadin privzame vlogo mrtvega kunca, ki je na otvoritvi njegove prve samostojne
- [La isla bonita na zahtevo](https://vntheatre.com/projekti/la-isla-bonita/la-isla-bonita-na-zahtevo/) - Varja Hrvatin Resničnostni hajp Dobrodošli na La isla bonita, kjer se štirje tekmovalci se še zmeraj mučijo, da bi dosegli resnično Bonita izkušnjo. Hajp ni samo zabava in igra, ampak tudi strategija in manipulacija. Bonita je skupnost, moda, koncept, mentaliteta, otok, življenski stil. Vabljeni na ponovoletno dirkanje po otoku La isla bonita; odkrivanje skritih kotičkov,
- [Vsak dan en bojevnik več](https://vntheatre.com/projekti/vsak-dan-en-bojevnik-vec/) - Bojan Jablanovec • Dijaki DDT Performans za 15 dijakov in časopis, ki je izšel na dan performansa Petnajst dijakov se bori za svoj smisel med naslovi iz dnevnega časopisa o dnevni politiki, športnih rezultatih, o naravnih katastrofah, spolnih škandalih, prometnih nesrečah, poročilih s svetovnih borz itd. Medtem, ko tekajo na rampo in kričijo naslove iz

## Kategorije

- [Cikli](https://vntheatre.com/cikli/)
- [Sedem smrtnih grehov](https://vntheatre.com/cikli/sedem-smrtnih-grehov/)
- [Via Nova](https://vntheatre.com/cikli/via-nova/)
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- [VN Lab](https://vntheatre.com/cikli/vn-lab/)
- [Šift](https://vntheatre.com/cikli/sift/)
- [30 stavkov](https://vntheatre.com/cikli/30-stavkov/)
- [Extima](https://vntheatre.com/cikli/extima/)
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- [VN20](https://vntheatre.com/cikli/vn20/)
- [La isla bonita](https://vntheatre.com/cikli/la-isla-bonita/)
- [Obetavno](https://vntheatre.com/cikli/obetavno/)
- [Via Negativa](https://vntheatre.com/cikli/via-negativa/)
- [Sedem smrtnih grehov](https://vntheatre.com/cikli/sedem-smrtnih-grehov/)
- [VN20-arhiv](https://vntheatre.com/vn20-arhiv/)
- [30 stavkov](https://vntheatre.com/cikli/30-stavkov/)
- [VN Lab](https://vntheatre.com/cikli/vn-lab/)
- [Via Nova](https://vntheatre.com/cikli/via-nova/)
- [Via Negativa](https://vntheatre.com/cikli/via-negativa/)
- [VN20](https://vntheatre.com/cikli/vn20/)
- [Nerazrešljivo](https://vntheatre.com/cikli/nerazresljivo/)
- [Šift](https://vntheatre.com/cikli/sift/)
- [La isla bonita](https://vntheatre.com/cikli/la-isla-bonita/)
- [Obetavno](https://vntheatre.com/cikli/obetavno/)
- [Extima](https://vntheatre.com/cikli/extima/)

## Oznake

- [Video](https://vntheatre.com/tag/video/)
- [Performans](https://vntheatre.com/tag/performans/)
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- [Performans koncert](https://vntheatre.com/tag/performans-koncert/)
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- [Video performans](https://vntheatre.com/tag/video-performans/)
- [Multimedijski performans](https://vntheatre.com/tag/multimedijski-performans/)
- [Gledališka predstava](https://vntheatre.com/tag/gledaliska-predstava/)
- [Fizično gledališče](https://vntheatre.com/tag/fizicno-gledalisce/)
- [Video instalacija](https://vntheatre.com/tag/video-instalacija/)
- [Cikel performativnih dogodkov](https://vntheatre.com/tag/cikel-performativnih-dogodkov/)
- [Performans v trajanju](https://vntheatre.com/tag/performans-v-trajanju/)
- [VN Lab](https://vntheatre.com/tag/vn-lab/)
- [Koncert](https://vntheatre.com/tag/koncert/)
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- [Doku-art](https://vntheatre.com/tag/doku-art/)
- [Instalacija teles](https://vntheatre.com/tag/instalacija-teles/)
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- [Stand-up](https://vntheatre.com/tag/stand-up/)
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- [Exposé performans](https://vntheatre.com/tag/expose-performans/)
- [Telesna instalacija](https://vntheatre.com/tag/telesna-instalacija/)
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- [Improvizirani performans](https://vntheatre.com/tag/improvizirani-performans/)
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- [Plesni solo](https://vntheatre.com/tag/plesni-solo/)
- [Solo za dva back vokalista](https://vntheatre.com/tag/solo-za-dva-back-vokalista/)
- [Galerijski performans](https://vntheatre.com/tag/galerijski-performans/)
- [Interaktivni performans](https://vntheatre.com/tag/interaktivni-performans/)
- [Performans](https://vntheatre.com/tag/performans/)
- [VN Lab](https://vntheatre.com/tag/vn-lab/)
- [Solo performans](https://vntheatre.com/tag/solo-performans/)
- [Video](https://vntheatre.com/tag/video/)
- [Performans opera](https://vntheatre.com/tag/performans-opera/)
- [Dokumentarni performans](https://vntheatre.com/tag/dokumentarni-performans/)
- [Plesni performans](https://vntheatre.com/tag/plesni-performans/)
- [Performans predavanje](https://vntheatre.com/tag/performans-predavanje/)
- [Performans obtožnica](https://vntheatre.com/tag/performans-obtoznica/)
- [Cikel performansov](https://vntheatre.com/tag/cikel-performansov/)
- [Performans dražba](https://vntheatre.com/tag/performans-drazba/)
- [Intervencija](https://vntheatre.com/tag/intervencija/)
- [Performans koncert](https://vntheatre.com/tag/performans-koncert/)
- [Performans intervju](https://vntheatre.com/tag/performans-intervju/)
- [Performans v trajanju](https://vntheatre.com/tag/performans-v-trajanju/)
- [Video performans](https://vntheatre.com/tag/video-performans/)
- [Avtobiografski performans](https://vntheatre.com/tag/avtobiografski-performans/)
- [Improvizirani performans](https://vntheatre.com/tag/improvizirani-performans/)
- [Telesna instalacija](https://vntheatre.com/tag/telesna-instalacija/)
- [Exposé performans](https://vntheatre.com/tag/expose-performans/)
- [Božična voščilnica](https://vntheatre.com/tag/bozicna-voscilnica/)
- [Cikel performativnih dogodkov](https://vntheatre.com/tag/cikel-performativnih-dogodkov/)
- [Plesni solo](https://vntheatre.com/tag/plesni-solo/)
- [Fizično gledališče](https://vntheatre.com/tag/fizicno-gledalisce/)
- [Solo za dva back vokalista](https://vntheatre.com/tag/solo-za-dva-back-vokalista/)
- [Koncertni performans](https://vntheatre.com/tag/koncertni-performans/)
- [Instalacija teles](https://vntheatre.com/tag/instalacija-teles/)
- [Koncert](https://vntheatre.com/tag/koncert/)
- [Doku-art](https://vntheatre.com/tag/doku-art/)
- [Zvočna instalacija](https://vntheatre.com/tag/zvocna-instalacija/)
- [Video instalacija](https://vntheatre.com/tag/video-instalacija/)
- [Multimedijski performans](https://vntheatre.com/tag/multimedijski-performans/)
- [Pripovedovalski performans](https://vntheatre.com/tag/pripovedovalski-performans/)
- [Verbalni performans](https://vntheatre.com/tag/verbalni-performans/)
- [Stand-up](https://vntheatre.com/tag/stand-up/)
- [Gledališka predstava](https://vntheatre.com/tag/gledaliska-predstava/)